Wednesday, 18 March 2026

THE BUDDHA AS AN EPIC HERO IN AŚVAGHOṢA’S BUDDHACARITA by Nibir K. Ghosh & Sunita Rani Ghosh Re-Markings Silver Jubilee March 2026

 

The Buddha as an Epic Hero in Aśvaghoṣa’s Buddhacarita


Nibir K. Ghosh & Sunita Rani Ghosh

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The paper makes an attempt to examine and evaluate the life and personality of the ‘Enlighted One’ as depicted by Asvaghosa in his immortal classic Buddhacarita, translated from Sanskrit into English by the acclaimed Indologist Edward B. Cowell in 1894/1895. Following the chronology of events beginning with the birth of the Buddha till the moment of his attaining enlightenment under the holy tree, the paper emphasises the epic grandeur of the heroic thoughts, experiences and utterances of the principal protagonist who, distressed by the sights of old age, sickness and death, makes a steadfast and unwavering commitment to liberate mankind from the throes of unmitigated misery.

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The life of Buddha has an especial appeal. All my life I have been very fond of Buddha. …I have more veneration for that character than for any other—that boldness, that fearlessness, and that tremendous love! He was born for the good of men. Others may seek God, others may seek truth for themselves; he did not even care to know truth for himself. He sought truth because people were in misery. How to help them, that was his only concern. – Swami Vivekananda (98)

Swami Vivekananda’s eloquent veneration for Gautam Buddha lucidly resonates the admiration and esteem that Aśvaghoa (80-150 AD), the earliest known Sanskrit poet and philosopher, has expressed in Buddhacarita, his immortal creation celebrating the exemplary life of the Exalted One from the time of his birth to his attainment of Enlightenment. A brahmin by birth who later converted to Buddhism, Aśvaghoa became a true Buddhist in flesh and spirit and sincerely followed the Eight-fold Noble Path initiated by the Buddha. On account of his multi-sided genius, Aśvaghoa became a prominent figure as a poet and spiritual counsellor in the reign of Kanishka, the Kushan Emperor recognised in Indian History as a powerful ruler engaged not only in expanding his empire but also in spreading the ideals of Buddhism. Inspired by Kanishka’s patronage and encouragement and urged by his own devotion to the Buddha, many of Aśvaghoa’s creative works viz. Buddhacarita, Saundarānanda and Sāriputra-Prakaraa provide indelible imprints of Lord Buddha on his astounding creative abilities. In Aśvaghoa, notes Roma Chaudhuri, one can also find “many clear instances of a compassionate desire for inspiring, teaching, helping, serving, reforming and uplifting others.” (Chaudhuri 14)

The paper is an attempt to showcase the heroism of the Buddha who, unlike other famous epic heroes who distinguish themselves through their valour in battles and wars, amply justifies what we learn from The Dhammapada that “If one man conquer in battle a thousand times thousand men, and if another conquer himself, he is the greatest of conquerors. … One's own self conquered is better than all other people; not even a god, a Gandharva, not Mara with Brahman could change into defeat the victory of a man who has vanquished himself, and always lives under restraint.” (The Dhammapada Ch. VIII 103-105, p.15)

Aśvaghoa’s Mahakavya or epic poem The Buddhacarita originally consisted of 28 cantos, of which the current edition translated into English as well as edited by Edward B. Cowell offers 14 cantos. Each canto or book has a title to itself except the 14th. It is important to bear in mind that the translator Edward B. Cowell (1826-1903) was a distinguished Sanskrit scholar who had a long academic stint in India, as Professor of English History at Presidency College, Calcutta and as Principal of Sanskrit College, Calcutta before he joined as the first professor of Sanskrit at Cambridge University in 1868, a position he held until his death in 1903.

Book I, titled “The Birth of the Holy One,” opens in the city named Kapilavastu, after the great sage Kapila, under the rule of the Sakya King Suddhodana, “the very best of kings … intent on liberality yet devoid of pride; a sovereign, yet with an ever equal eye thrown on all.” (Bk. I/ 10) Peace and prosperity reign supreme in the reign of Suddhodana distinguished by “its pure and lofty system of government,” inhabited by “surpassingly excellent citizens,” and “numberless councillors of exalted wisdom.” (Bk.I/3,4,14) Suddhodana’s companion in life, Queen Maya, is portrayed as “a mother to her subjects, intent on their welfare, … shining on her lord’s family like the goddess of prosperity.” (Bk.I/16) The birth of the Buddha is occasioned by divine dispensation when he enters, as a sudden thought, into the womb of the noble queen to “destroy the evils of the world.” (Bk. I/16) Then, one day, when the queen visits the garden at Lumbini, while she supported herself by a bough laden with a weight of flowers, “the Bodhisattva suddenly came forth, cleaving open her womb.” (Bk.I/24) It was a moment of great rejoicing for all in the kingdom as the newborn prince, “with glory, fortitude, and beauty … shone like the young sun descended upon the earth.”  (Bk.I/31)

The arrival of the great seer Asita on the occasion gladdened king Suddhodana’s heart when he told the King that the motive for his coming was to share the happy tidings that his son was born “for the sake of supreme knowledge.” On hearing this, the king in his joy showed the prince to Asita who instantly noticed the prince’s “foot marked with a wheel, his fingers and toes webbed, with a circle of hair between his eyebrows, and signs of vigour like an elephant.” (Bk. I/65) Asita’s eyes filled with tears on seeing these auspicious signs emblematic of divinity. Asita’s tearful eyes disturbed the king with fearful thoughts. Asita put the king’s anxiety to rest by assuring him that there was no cause for worry as the prince had been born as the saviour of the world steeped in misery:

this child is now born, — he who knows that mystery hard to attain, the means of destroying birth. … Having forsaken his kingdom, indifferent to all worldly objects, and having attained the highest truth by strenuous efforts, he will shine forth as a sun of knowledge to destroy the darkness of illusion in the world.” (Bk.I/73-74) …. He will proclaim the way of deliverance to those afflicted with sorrow, entangled in objects of sense, and lost in the forest-paths of worldly existence, as to travellers who have lost their way. (Bk.I/77).

These words of the great sage brought relief to the king and queen and filled everyone with joy in the kingdom.

Book II – Life in the Palace – gives a vivid account of the formative years of the prince who was named Sarvārthasiddha – an accomplisher of all objects. All things that could please the senses of the child were readily made available to him in the protected environment of the palace. As it is said that “the childhood shows the man,/ As morning shows the day,” (Milton ll.176-177) the prince gave indications of his extraordinary traits. As he progressed from childhood to middle youth, he learned the sciences in a matter of days what others would need years to master. With perfect self-control, he “subdued by firmness the restless horses of the senses; and he surpassed his kindred and citizens by his virtues.” (Bk.II/34) He pursued such knowledge as was beneficent to “all mankind as much as to his own subjects” (Bk.II/35) and found bliss in calmness and compassion. He sought glory not in terms of worldly achievements but that came from virtue.

In due course of time, King Suddhodana chose for the prince “from a family of unblemished moral excellence a bride possessed of beauty, modesty, and gentle bearing, of wide-spread glory, Yaśodharā by name, having a name well worthy of her, a very goddess of good fortune” (Bk.II/26). The prince married Yaśodharā and begat by her a beautiful son named Rahul. To safeguard the prince from any situation or sight that might distress him, King Suddhodana created, in the inner recesses of the palace, an abode for them where the prince would experience worldly bliss of all kinds.

Though king Suddhodana did his utmost to shield his son from any untoward experiences of life, the prince’s destiny intervened in unusual ways to draw him away from the golden cage of sensual and material pleasures towards his ordained path. Book III of Aśvaghoa’s Buddhacarita brings to light “the Prince’s Perturbation” in facing the inevitable. Having heard of beautiful groves and gardens in the kingdom, the prince shares with his father his desire to go there. The king gives his consent with much reluctance and instructs his officers to ensure that the pathways should be made clear of “all those who had mutilated limbs or maimed senses, the decrepit and the sick and all squalid beggars” (Bk.III/5) so that the prince would see nothing but joyous sights on his tour.

For a while, things seemed to go as the king had planned but then, writes Aśvaghoa, “the gods, dwelling in pure abodes, having beheld that city thus rejoicing like heaven itself, created an old man to walk along on purpose to stir the heart of the king’s son.” (Bk.III/26) Bewildered by the sight of the old man, the Prince turned to his charioteer and asked him, “Who is this man that has come here … with white hair and his hand resting on a staff, his eyes hidden beneath his brows, his limbs bent down and hanging loose, — is this a change produced in him or his natural state or an accident?” (Bk.III/28) Without mincing words, the charioteer made him aware that old age was an inevitable part of life that causes sorrow by destroying beauty, vigour, delight, memories, and comes as the enemy of the senses. He further told the Prince that old age would come “even to my long-lived lord” by the force of time and through passage of years. It was a fact known to all without exception. With his sight fixed on the predicament of the old man, the Prince uttered with a sigh: “Old age thus strikes down all alike, our memory, comeliness, and valour; and yet the world is not disturbed, even when it sees such a fate visibly impending.” (Bk.III/36) Consequently, the Prince instructed his charioteer to return home for he saw the futility of rejoicing in the pleasure-garden with the thoughts of old age overpowering him. (Bk.III/37)

As a sequel to the event of the Prince witnessing the ravages of old age, the same deities created two other situations where he came face to face first with another man with his body all afflicted by disease and then with the body of a dead man carried by others on the road. These three sights filled the heart and mind of the Prince with a foreboding dread of coming to terms with the inevitable and he bemoaned, “how can a rational being, who knows what destruction is, stay heedless here, in the hour of calamity?” (Bk.III/60)

Book IV – The Women Rejected – shows how the Prince, perturbed by the occurrence of old age, disease and death, withstands the snares of beautiful, sensuous and erotic women who are given the task by the wise son of the King’s family priest, Udāyin. However, despite all their efforts – shown through numerous ensnaring postures and amorous situations – the Prince remains unmoved and concludes: “I do not despise worldly objects, I know that all mankind are bound up therein; but remembering that the world is transitory, my mind cannot find pleasure in them” (Bk.IV/85) … “even though this beauty of women were to remain perpetual, still delight in the pleasures of desire would not be worthy of the wise man.” (Bk.IV/87)

Book V – Flight – provides a comprehensive account of the supreme rationality with which the Prince, undeterred by the objects of pleasure and transient delights, decides to undertake his journey with the firm resolve of seeking salvation from the sorrows of old age, sickness and death not for himself alone but for all mankind. Longing for eternal peace, he mounts his horse Kathaka and sets out, with his father’s permission, to the glades of the forest. He stopped by at a spot of land in the forest-outskirts where he saw men ploughing the land. He quickly observed how the movement of the plough had scattered and torn the grass on the ground that lay covered with “the eggs and young of little insects which were killed.” (Bk.V/5) The scene filled him with deep sorrow as he identified the slaughter of even the insects akin to that of his own kindred.

Thus “meditating on the origin and destruction of the world,” he laid “hold of the path that leads to firmness of mind” (Bk.V/9) and reflected with controlled calm at the irony of life: “it is a miserable thing that mankind, though themselves powerless and subject to sickness, old age, and death, yet, blinded by passion and ignorant, look with disgust on another who is afflicted by old age or diseased or dead.” (Bk.V/12)

While the Prince was engaged in such contemplation, there came upon the place an ascetic in a beggar’s dress. When the Prince asked him who he was, the man answered that he had become an ascetic to seek liberation from the pangs of birth and death. The “heavenly inhabitant,” who had come dressed as a beggar, then tells the Prince: “Dwelling anywhere, at the root of a tree, or in an uninhabited house, a mountain or a forest, — I wander without a family and without hope, a beggar ready for any fare, seeking only the highest good.” (Bk.V/19) Aśvaghoa describes how, inspired by the ideal of aspiring for the “highest good” by the heavenly visitation, the “foremost of men was rejoiced and astonished; and having comprehended the meaning of the term dharma, he set his mind on the manner of the accomplishment of deliverance.” (Bk.V/21) Resolved as to the course of his future path, the Prince returns home with “no feelings of longing” or desire and proceeds to meet King Suddhodana to apprise him of his intention. He tells the King with folded hands, “Grant me graciously thy permission, O lord of men, — I wish to become a wandering mendicant for the sake of liberation, since separation is appointed for me.” (Bk.V/28)

Shocked by his son’s entreaty, King Suddhodana uses all reasoning at his command to dissuade him from his decision. He reminds his son that the ways of penance and suffering related to a life of religion was not for the young in their prime of life but for the old who had fulfilled their obligation to their responsibilities as householders. He also points out that it would be most unbecoming and irreligious on his part to leave his own father and depart for the forest. Consequently, he tells his son to abandon his resolution and attend to his duties as a householder for “penance-forest” was suitable for those who had fully enjoyed the pleasures of their prime. Having heard the King’s arguments, the Prince answered with all softness at his command:

If thou wilt be my surety, O king, against four contingencies, I will not betake myself to the forest. … Let not my life be subject to death, and let not disease impair this health of mine; let not old age attack my youth, and let not misfortune destroy my weal. (Bk.V/34,35)

It is heroic indeed for one who is deeply troubled even by the killing of an insect to stand up against his own father not with any degree of arrogance of an aberrant son but with abundant humility of one who believes in the sanctity of his passionless commitment to find salvation for entire mankind. Yet, the king, seeing his son’s firm resolve, finally tells him, “Abandon this idea bent upon departure; extravagant desires are only ridiculous.” In turn, the Prince retorts: “If this is impossible, then this course of mine is not to be hindered; it is not right to lay hold of one who would escape from a house that is on fire.” (Bk.V/36,37)

Agitated by his son’s determination, the King exclaimed, “He shall not go!”  and set guards round him and the highest pleasures.” (Bk.V/39) The highest pleasures that were used to entice the Prince involved the women of the palace who did all they could to lure him with their charms. The Prince remained unmoved scorning at the folly of transient desires and remained fixed in his mind about seeking the “bliss of the highest end.” (Bk.V/46) He desired to escape from the worldly shackles of the palace in the night. The King’s orders to restrain him proved futile as, “the gods, knowing his purpose, caused the door of the palace to fly open.” (Bk.V/66)

He summoned his horse’s attendant, Chadaka, and asked him to quickly bring his horse, Kathaka, as he had decided to leave the palace immediately. He mounted his faithful steed and embarked on his journey to seek immortality for the good of the world. The heavy gates and bars “which could be with difficulty opened even by elephants, flew open of their own accord without noise, as the prince went through.” (Bk.V/82) Leaving without hesitation his dear father, his young son, and the people who adored him, he looked back at the city and vowed: “Till I have seen the further shore of birth and death I will never again enter the city called after Kapila.” (Bk.V/84)

Book VI – The Dismissal of Chadaka – narrates the poignant tale of the Prince bidding goodbye to Chadaka and the horse Kathaka once they reach the forest. Chadaka is full of grief to be parting from his lord for whom he has unqualified devotion and esteem. With calm of mind all passion spent the Prince attempts to make him understand that all human relationships are governed by selfish motives and that there is “no such a thing as unselfishness without a motive.” (Bk.VI/10) The Prince tries to console the grieving Chadaka by telling him that he has chosen the path of the ascetic with the purpose of finding a way “to destroy old age and death, — with no thirst for heaven, with no lack of love nor feeling of anger.” (Bk.VI/15) He says that he has fixed his mind on liberation from the repeated severance of relationships. It is evident that the Prince’s words are also meant to be shared with his father, King Suddhodana, who finds it difficult to reconcile himself with the reason that has taken his son away from him. The Prince says, “Even if I through affection were not to abandon my kindred in my desire for liberation, death would still make us helplessly abandon one another.” (Bk.VI/44) Before the final moment of parting, the Prince reiterates his steadfast resolve to be conveyed to the King: “Either he will quickly come back, having destroyed old age and death; or else he will himself perish, having failed in his purpose and lost hold of every support.” (Bk.VI/52)

Book VII – Entry into the Penance Grove – describes how, after parting with Chadaka and Kathaka, the Prince enters the Penance Grove in the hermitage where he sees different kinds of penance practised by various ascetics. He is informed by one of the ascetics that by enduring such penances they are said to attain heaven who practice extreme severity while the less severe try to find happiness in pain. The Prince, witnessing such exercises, found no lofty truth in the measures and uttered to himself: “The penance is full of pain and of many kinds, and the fruit of the penance is mainly heaven at its best, and all the worlds are subject to change; verily the labour of the hermitages is spent for but little gain.” (Bk.VII/20) In his rational view such superstitious assumptions of attaining heaven through mortification of flesh and suffering seem totally illusory as is evident from his thought: “Some undergo misery for the sake of this world, others meet toil for the sake of heaven; all living beings, wretched through hope and always missing their aim, fall certainly for the sake of happiness into misery.” (Bk.VII/24)

Rather than practice austerity and cause pain to the body, the Prince has come to understand that what alone is significant is to “control the thought” because “without the thought the body is like a log.” (Bk.VII/27) He finds it ridiculous when people sprinkle holy water on themselves at some so-called ‘sacred’ spot to purify their actions for, according to him, waters can not wash away sin.: “The water which has been touched by the virtuous, — that is the spot, if you wish for a sacred spot on the earth; therefore I count as a place of pilgrimage only the virtues of a virtuous man, — water without doubt is only water.” (Bk.VII/31)

Thus, comprehending the whole nature of penances after being in the grove for a few days, he decides to make his exit. He gently but firmly tells the ascetics the reason for his departure from their midst: “this devotion of yours is for the sake of heaven, — while my desire is that there may be no fresh birth; therefore I wish not to dwell in this wood; the nature of cessation is different from that of activity.”  (Bk.VII/4)

Meanwhile, an ascetic, who lay submerged in ashes clothed in bark turned to him with a lifted voice and praised him for being so concerned at such a young age about the evils of birth and the need for liberation: “By all those various sacrifices, penances and vows the slaves of passion desire to go to heaven; but the strong, having battled with passion as with an enemy, desire to obtain liberation.”  (Bk.VII/53) The ascetic then advises that the Prince should go to Vidhyakoṣṭha and meet the Muni Arāḍa who has an insight into absolute bliss. From the Muni the Prince could learn the path to truth and embrace it if he so desires. However, he foresees that the journey of the Prince would not end there for he would keep searching till he has drunk up “the entire ocean of what is to be known.” … “That unfathomed depth which characterises thee, that majesty and all those signs of thine, — they shall win a teacher’s chair in the earth which was never won by sages even in a former age.” (Bk.VII/56-57)

Book VIII – Lamentations in the Palace – offers a vivid description of the pall of gloom that surrounds the Kingdom of Kapilavastu after Chadaka with the horse Kathaka returns to narrate the tale of the Prince’s departure in quest of the ultimate truth. Crowds of people with tear-filled eyes bemoaned the absence of the Prince. No less sorrowful was the predicament of men and women in the palace. The principal Queen Gautami “like a fond cow that has lost her calf, fell bursting into tears on the ground with outstretched arms” (Bk.VIII/24); she was pained to imagine how the one who was accustomed to all comfort, luxury and care had chosen the extremely difficult path of austerity and sacrifice: “He who was proud of his family, goodness, strength, energy, sacred learning, beauty, and youth, – who was ever ready to give, not to ask, – how will he go about begging alms from others?” (Bk.VIII/57)

The Prince’s wife Yaśodharā who seemed inconsolable gave vent to her anger by asking Chadaka how could the Prince justify choosing the religious path by abandoning his own lawful wife? She wonders whether he has deserted her in the “hope to obtain heavenly nymphs in lndra’s world!” (Bk.VIII/64) Reminded of her little son Rāhula’s fate, she reacts in pain: “is this poor Rāhula never to roll about in his fathers lap?”    “Alas! the mind of that wise hero is terribly stern, — gentle as his beauty seems, it is pitilessly cruel, — who can desert of his own accord such an infant son with his inarticulate talk, one who would charm even an enemy.” (Bk.VIII/67,68)

Aśvaghoa compares King Suddhodana’s grief, occasioned by separation from his son, with that of “Daśaratha, a prey to his sorrow for Rāma.” (Bk.VIII/81) The King’s wise counsellor and the old family priest tried to console the King by reminding him of sage Asita’s prophecy at the birth of his son and reassured the King that they would make all efforts to persuade the Prince to return. With the King’s consent the two leave for the forest to meet and talk to the Prince.

Book IX – The Deputation to the Prince –  describes the meeting of the counsellor and the family priest to the abode of the sage Bhārgava to meet the Prince. There they are told that the Prince had come there but recognising that "this dharma only brings us back again," (Bk.IX/6) he had proceeded to Arāḍa for seeking liberation. As they moved forward they saw the Prince, bereft of all ornaments yet shining in his majestic glory, “sitting like a king in the road at the foot of a tree, like the sun under the canopy of a cloud.”  (Bk.IX/8) After the two paid him due honour and sat down near him, the family priest apprised him of the King’s unmitigated sorrow and shared what he had asked them to convey: that he should abandon this purpose for the sake of duty… and return to enjoy for a while “the sovereignty of the earth” and that he may “go to the forest at the time provided by the śāstras.” (Bk.IX/15,17,18)

After conveying the King’s utterances touching on the calls of duty, compassion, and religious obligation, they asked him to reconsider his resolve in the manner of the epic heroes of the past like Bhīṣma and Rāma, who were universally known to have pleased their fathers at the cost of their personal preferences. In addition to telling him of the King’s desire, they also remind him of his duty and responsibility to the queen, his wife Yaśodharā and his son Rahul. Listening to the words of the family priest, the Prince gently brings to their attention all the counter-arguments he is truly convinced of. He made them aware that though he had every respect for the paternal tenderness, he was inevitably forced to forsake his kindred to find a solution to the alarms of “sickness, old age, and death” (Bk.IX/31) and that he cannot be held responsible for causing the King so much sadness through their separation since “neither a son nor kindred is the cause of sorrow, – this sorrow is only caused by ignorance.” (Bk.IX/34)

In his view, he points out, since parting is inevitable for humankind, separation for the sake of dharma and the good of all must be embraced. It may be befitting for kings to leave their kingdoms and enter the forest in the desire for dharma, but it is not fitting to break one’s vow and forsaking the forest to go to one’s home,” (Bk.IX/44) emphasizes the Prince. He reiterates that he has not gone to the forest with “an undecided mind,” but once he has cut through “the net known as home and kindred I am freed and have no intention of re-entering the net." (Bk.IX/51)

Despite the profound logic of the Prince’s utterances, the King’s emissaries continue to convince him that “it is no sin to return from a hermitage to one’s home, if it be only for the sake of duty.” (Bk.IX/61) Unmoved in his resolve about the path he has chosen, the Prince declares with perfect calm and equanimity that he would never return home as “a man of the world, with no knowledge of the truth.” (Bk.IX/68) Thus, disappointed in the failure of their mission to change the steadfast resolution of the Prince, the two emissaries return to Kapilavastu wondering how they would face the King.

Book X – Śreya’s Visit – begins by describing that the Prince crossed the Ganges and went to Rajgrha, the city full of palaces and auspicious sacred places. There he was greeted by one and all who saw him with deep reverence on account of his majestic graceful appearance “so worthy of ruling the earth and yet wearing a mendicant’s dress.” (Bk.X/9) Seeing from his palace the assembly of people attracted to him, Śreya (Sanskrit name for Bimbisāra), the King of Magadhas, desires to meet him. Once face-to-face with the Bodhisattva, Śreya offers his greetings and salutations and asks him about the reason for his choice of a “mendicant’s life” over the rule of a “kingdom.” Like others who had approached the Prince before with similar arguments, Śreya tells him that his hands that are “fit to protect subjects,” “deserve not to hold food given by another.” (Bk.X/24) He goes further to say that if the Prince has, in his generosity, no desire for his father’s kingdom, he was free to accept half of Śreya’s kingdom. He emphasizes that youth is meant for pleasure and old age for the practice of religion. And if at all religion is his sole aim then he could emulate the family’s custom of attaining the highest heaven through “sacrifices” as even God Indra had done: “royal sages have reached the same goal by sacrifices which great sages reached by self-mortification.” (Bk.X/40) The book ends with the author’s statement: “the prince did not falter, (firm) like the mountain Kailāsa.” (Bk.X/41)

Book XI – The Passions Spurned – brings into bold relief the counter-arguments offered by the Prince in response to King Śreya’s viewpoints. He reaffirms that his journey on the path for liberation, occasioned by the dread of old age and death, has enabled him to leave behind his kindred after much deliberation. To him what others call worldly pleasures are the root cause of evil: “There is no calamity in the world like pleasures, — people are devoted to them through delusion; when he once knows the truth and so fears evil, what wise man would of his own choice desire evil?” (Bk.X1/11)  According to him, “the nature of pleasure and pain are mixed,” be it due to royalty or slavery for “a king does not always smile, nor is a slave always in pain.” (Bk.XI/44) The ambitious rulers who are out to conquer the whole earth ought to understand that “one city only can serve as a dwelling-place, and even there only one house can be inhabited.” (Bk.XI/47) As for the desire for countless robes of clothes, all one needs is “one pair of garments … and just enough food to keep off hunger; so only one bed, and only one seat; all a king’s other distinctions are only for pride.” (Bk.XI/47,48) The Prince continues and says, “if all these fruits are desired for the sake of satisfaction, I can be satisfied without a kingdom; and if a man is once satisfied in this world, are not all distinctions indistinguishable?” (Bk.XI/49)

Referring to King Śreya’s view that the Prince’s hands were not meant for begging alms, he gently asserts: “He who lives on alms, my good friend, is not to be pitied, having gained his end and being set on escaping the fear of old age and death; he has here the best happiness, perfect calm, and hereafter all pains are for him abolished.” (Bk.XI/54) He tells King Śreya that his ultimate goal is to discover a path wherein “there is no old age nor fear, no birth, nor death, nor anxieties, that alone I consider the highest end of man, where there is no ever-renewed action.” (Bk.XI/59)

Finally, the Prince addresses the option of serving religion and gaining the highest heaven through the ritual of sacrifices that King Śreya had mentioned. He boldly proclaims that he desires “not that fruit which is sought by causing pain to others!” He shows his abhorrence for even the highest reward that is attained “only by slaughter” because, in his opinion, “To kill a helpless victim through a wish for future reward, — it would be an unseemly action for a merciful-hearted good man, even if the reward of the sacrifice were eternal; but what if, after all, it is subject to decay?” (Bk.XI/65) No happiness, he avers, that comes through “the injury of another” can be of any worth to “the wise compassionate heart.” (Bk.XI/67) The Prince then informs King Śreya of his intention to meet the seer Arāḍa who proclaims liberation. Forthwith, he takes leave of King Śreya asking to be forgiven for his utterances which may have seemed “harsh” due to “their absolute freedom from passion.” (Bk.XI/69)

Book XII – Visit to Arāḍa – On his arrival at the hermitage of sage Arāḍa, the Prince is given a warm welcome. It gladdens the Prince to hear sage Arāḍa say, “thou art a worthy vessel to receive this highest religion; having mastered it with full knowledge, cross at once over the sea of misery.” (Bk.XII/9) Thanking sage Arāḍa for his generous words, the Prince conveys that the gesture of kindness made him feel, despite his imperfections, “seem even already to have attained perfection.” …  “I feel at the sight of thee like one longing to see who finds a light, — like one wishing to journey, a guide, — or like one wishing to cross, a boat.” (Bk.XII/12,13) With courtesy and deference, the Prince asks him, “Wilt thou therefore deign to tell me that secret, if thou thinkest it should be told, whereby thy servant may be delivered from old age, death, and disease.” (Bk.XII/14)

Impressed by the noble demeanour of the Prince, sage Arāḍa instantly agrees to impart the main tenets of his doctrine. According to his doctrine the cause of “mundane existence” lies in “Ignorance, the merit or demerit of former actions, and desire” (Bk.XII/23) while “egoism” lies in attitudes that harp on “I say," "I know," "I go," "I am firmly fixed." (Bk.XII/26) He appreciates that the Prince’s wisdom and his ability to discriminate allows him to be free from both ignorance and egoism. He strikes a resonant chord in the Prince when he says, “‘Uttering ‘namas’ and ‘vaa,’ sprinkling water upon sacrifices, with or without the recital of Vedic hymns, and such like rites, — these are declared by the wise to be ‘false means,’ O thou who art well skilled in true means.” (Bk.XII/30) It is only he who remains unentangled “in external objects through his mind, speech, actions, and thoughts,” can aspire to ascend to the path of liberation. (Bk.XII/31) Man is borne downwards into new births and misery when he lives in false assumptions like "This is mine," "I am connected with this" etc. or … “I am the seer, and the hearer, and the thinker, — the effect and the cause.” (Bk.XII/32,38)

After hearing this discourse the Prince requests the seer for his guidance about the goal and limitations of the “sacred study.” The seer explains “how fear arises from passion and the highest happiness from the absence of passion” and one must learn to restrain all the senses for attaining tranquillity of mind.” (Bk.XII/46-48) This is the first stage of contemplation that takes the devotee to “the world of Brahman, deceived by the delight.” (Bk.XII/51) For a wise man who is not satisfied by this stage of contemplation that may still “bewilder the mind” (Bk.XII/52), the seer suggests the second stage of contemplation where the devotee notices “no further distinction” and “obtains a dwelling full of light” among the “Ābhāsura deities. (Bk.XII/53) In the seer’s view, if one still “separates his mind from this pleasure and ecstasy” has to go for the third stage of contemplation that is “ecstatic but without pleasure.” (Bk.XII/53) However, a man aspiring for still higher wisdom that is distinct from all pleasure or pain has to seek the fourth stage of contemplation that leads to the state of the “supreme Brahman, constant, eternal, and without distinctive signs; which the wise who know reality declare to be liberation.” (Bk.XII/65) Pondering on the discourse of sage Arāḍa, the Prince examined the contents in the light of his desire for deliverance and concluded: “Even though the pure soul is declared to be ‘liberated,’ yet as long as the soul remains there can be no absolute abandonment of it.” (Bk.XII/71)

Not content with the doctrine of sage Arāḍa, the Prince proceeded to the hermitage of sage Udraka. However, Udraka, who did not offer any clear understanding about the treatment of the soul and the way to its complete abandonment, the Prince “fully resolved in his purpose, and seeking final bliss,” moved to the hermitage of the royal sage Gaya.” (Bk.XII/87) There on the bank of the river Nairañjanā, the Prince sought a lonely habitation to seek what the two teachers, Arāḍa and Udraka, could not provide him. Then he saw five mendicants, who had preceded him, engage themselves in practicing austerities by controlling their five senses. These five mendicants then approached him with great esteem and humility. Thinking “this may be the means of abolishing birth and death,” he at once began “a series of difficult austerities by fasting.” (Bk.XII/91) Engaged totally in “self-mortification,” he performed many rules of abstinence” for six years with no food except a single jujube fruit, sesame seeds, and a grain of rice.

Thus emaciated and famished, his body was reduced to skin and bone although “he still shone with undiminished grandeur like the ocean.” (Bk.XII/96) Drained of physical strength by his austerities and dreading continued existence in that state, the realization dawned on him that “This is not the way to passionlessness, nor to perfect knowledge, nor to liberation.” (Bk.XII/98) “Wearied with hunger, thirst, and fatigue, with his mind no longer self-possessed through fatigue,” he understood that without bodily vigour it was not possible for the mind to achieve “absolutely calm.” He observed: “True calm is properly obtained by the constant satisfaction of the senses; the mind’s self-possession is only obtained by the senses being perfectly satisfied.” (Bk.XII/100-101) With such self-knowledge, he decided that eating food was necessary to ensure “supreme calm, undecaying, immortal state” and that “True meditation is produced in him whose mind is self-possessed and at rest, — to him whose thoughts are engaged in meditation the exercise of perfect contemplation begins at once.” (Bk.XII/103,102)

He bathed in the Nairañjanā and came to the bank of the river where divine intervention made a tree lower its branches to provide him support to stand on his feet as he was too weak to do so on his own. Coincidentally, at that moment, “Nandabalā, the daughter of the leader of the herdsmen, impelled by the gods, with a sudden joy risen in her heart,” came near him, bowed down with full reverence and offered him milk to drink. (Bk.XII/106) After recovering physical strength, the Prince found himself “capable of gaining the highest knowledge, all his six senses being now satisfied.” (Bk.XII/109)

Seeing the Prince partaking food offered to him and presuming he had returned to his worldly ways, the five mendicants left him as “the five elements leave the wise soul when it is liberated.” (Bk.XII/111) Forthwith, strengthened by “his own resolve, having fixed his mind on the attainment of perfect knowledge, he went to the root of an Aśvattha tree” … and sat down to “obtain perfect knowledge at the foot of the great holy tree.” Declaring with a firm resolve, “I will not rise from this position on the earth until1 I have obtained my utmost aim.” (Bk.XII/112,116,117), he remained engrossed in realizing the truth of Nirvana.

In Book XIII – Defeat of Māra – Aśvaghoa begins by stating that while the whole world rejoiced to witness the “great sage” “with his soul fully resolved to obtain the highest knowledge, … Māra, the enemy of the good law, … Māra the enemy of liberation” was terrified. (Bk.XIII/1,2) Threatened by the “sage, wearing the armour of resolution, and having drawn the arrow of wisdom with the barb of truth, sits yonder intending to conquer my realms,” Māra uses all resources and power of evil at his command to disengage the Prince from his path.

While Māra and his violent army were engaged in their nefarious tasks, “some being of invisible shape, but of pre-eminent glory, standing in the heavens,” appealed to Māra to give up his “malevolence and retire to peace” and made him aware of the power of the Prince in meditation: “Such is that purpose of his, that heroic effort, that glorious strength, that compassion for all beings, — until he attains the highest wisdom, he will never rise from his seat, just as the sun does not rise, without dispelling the darkness.” (Bk.XIII/59) Having listened to the words of the divine being, and having “seen the unshaken firmness of the great saint, Māra departed dispirited and broken in purpose.” (Bk.XIII/70) The outcome was greeted by “showers of flowers” from the sky upon the earth.

Book XIV (Untitled) graphically describes how, after conquering Māra with his “firmness and calmness,” the Prince, “the great master of meditation,” set himself to meditate, longing to know the supreme end.” (Bk.XIV/1) With the aid of all kinds of meditation that he had mastered, he could visualise, in the first phase, “the continuous series of all his former births” (Bk.XIV/2) and arrived at the inference of the unsubstantiality of all existence. Watching the transmigrations and rebirths of various beings endowed with misery, pain and suffering on account of both good and evil deeds, he was filled with compassion. He surmised how mankind lived in delusion brought about by desire and temptation unmindful of the consequences of selfishness. Even “Paradise, obtained by many labours, is uncertain and transitory,” as suffering is bound to come “by separation from it.” (Bk.XIV/42)

Understanding dawns on him that this stream of the cycle of existence guided by the law of Karma “has no support and is ever subject to death. Creatures, thus beset of all sides, find no resting place.” (Bk.XIV/47) The Bodhisattva saw with his “divine eyesight (divyacakus)” and examined the five spheres of life and found “nothing substantial in existence.” (Bk.XIV/48) He then meditated on the real nature of the world and inferred that existence was a meaningless toil resulting out of an endless series of birth, old age, death and rebirth. Urged on by passion (rāga) and blinded by delusion (moha), man does not know “the way out of this great suffering.” (Bk.XIV/51)

In his deep meditative state the Bodhisattva comprehended that it is only through “the annihilation of birth” that one can find liberation from old age and death. In the words of Aśvaghoa: “the great seer understood that the factors are suppressed by the complete absence of ignorance (avidyā) Knowing in depth what was to be known, he stood out before the world as the Buddha (Bk.XIV/83) and by the eightfold path of supreme insight the awakened One “reached the stage which knows no alteration, the sovereign leader the state of omniscience.” (Bk.XIV/86)

The Buddha’s awakening was marked by rejoicings all around. Deities, Siddhas, people on earth, Nature itself, greeted the moment with joy and “the world became tranquil, as though it had reached perfection.” (Bk.XIV/90) As a fitting finale to his grand epic, Aśvaghoa describes how the awakened and enlightened Prince saw with his “Buddha-eye” the responsibility he needed to shoulder to bring peace and tranquility in the world full of misery, vain efforts, false views and gross passion. Greatly impressed by Buddha’s urge to go beyond his own individual mission of attaining liberation and preach tranquility to the world at large, Brahma and Indra, “the two chiefs of the heavenly dwellings,” approached him and lauded his aim of sharing his compassion for the benefit of all in glowing words: “O sage, having yourself crossed beyond the ocean of existence, rescue the world which is drowning in suffering.” (Bk.XIV/100)

The endorsement by the two gods further strengthened the Buddha’s resolve to devote his life for the “liberation of the world.” (Bk.XIV/103) The gods of the “four quarters” offered the seer four “begging-bowls” which he gratefully accepted and turned them into one “for the sake of the dharma.” Consequently, writes Aśvaghoa at the end of Book XIV, Gautama proceeded to “the land of Kāśi, in order to convert the world, and turning his entire body like an elephant, he fixed his unwinking eyes on the bodhi tree. (Bk.XIV/108)

In drawing the word portrait of the Buddha, Aśvaghoa vests his hero with several exemplary virtues most prominent among which is his innate capacity to justify through supreme rationality the ultimate purpose of his quest. His mindful engagements in conversation with King Suddhodana, the family priest, the king’s counsellors, the charioteer Chandaka, the ascetics in the grove, Magadh King Śreya, sages Arāḍa and Udraka, Aśvaghoa succeeds in unravelling the substantiality of the Buddha’s contemplative reasoning in countering the arguments of those who attempt to dissuade him from his avowed aim of ridding the world of suffering connected to old age, sickness and death. Starting with questioning the validity of rituals, penances, sacrifices, age-old traditions, he puts himself to the litmus test of fasting and self-mortification for six years. Yet, at the end of it all, he understands that he has not found what he had so earnestly sought. Ultimately, after partaking of the food offered to him by Nandabalā, he regains his physical strength and sits down to obtain perfect knowledge at the foot of the great holy tree. It is significant that he desires nothing for himself, be it material reward or spiritual glory. It is of immense relevance that while leaving the world for his eternal abode, the Buddha had instructed his disciples not to “honour his remains” but to “strive for the highest good.” (Akira 38) Speaking on Gautam Buddha before the British Academy on 28th June 1938, Dr. Sarvepalli Radhakrishnan had stated with all reverence: “He belongs to the history of the world’s thought, to the general inheritance of all cultivated men; for, judged by intellectual integrity, moral earnestness and spiritual insight, he is undoubtedly one of the greatest figures in history.” (Radhakrishnan v)

Though it cannot be denied that Edwin Arnold’s Light of Asia went a long way to introduce the tale of Buddha and his message to the Western world, it needs to be mentioned here what the celebrated Indologist Charles Johnston observed when he compared Buddhacarita with that of Arnold: “The life of Buddha … offers numberless most interesting points of comparison with The Light of Asia, and it is no disparagement of the modern poet, if we award the palm to the more ancient, as having a deeper grasp of the great Teacher's thought, a more philosophic insight, and, withal, a richer and more abundant wealth of poetry, finer beauty of imagery, and a purer and robuster style.” (Johnston 6-7)

Among the dominant traits of the Buddha’s personality as unravelled by Aśvaghoa’s classic, what stands out prominently are his ability to question anything that was not supported by intense logic and experience besides his missionary zeal to seek nothing for himself, not even heavenly glory. It is remarkable indeed that two millennia ago Aśvaghoa had hailed his epic hero as “the noblest of mendicants,” “the sun of mankind,” “the Bodhisattva … with subdued senses,” and “the very creation of Religion herself.” (Bk.X/13,15,18,19) With his artistic genius Aśvaghoa thus succeeded in creating in his immortal epic the grand narrative of one of the rarest of mortals whose enduring presence continues to inspire one and all across boundaries of nations, culture, caste, race, class, colour and gender to seek the “highest good” through self-awakening.

WORKS CITED

Akira, Hirakawa. A History of Indian Buddhism From Sakyamuni to Early Mahayana. Translated and edited by Paul Grone. University of Hawaii University of Hawaii Press, 1990.

Aśvaghoa. The Buddhacarita, or The Life of Buddha. Edited and translated by Edward B. Cowell. (first published in 1894 [text] & 1895 [translation], reprinted together New Delhi, 1977). https://ancient-buddhist-texts.net/Texts-and-Translations/Buddhacarita/Buddhacarita. pdf. Accessed 2 June 2025. All references to the text are from this edition and have been cited with Book no. followed by verse number in parenthesis.

Chaudhuri, Roma. Aśvaghoa. Sahitya Akademi, 2017.

Johnston, Charles. Translated (from Sanskrit to English)) and Edited. Buddhacarita: Buddha’s Renunciation by Aśvaghoa (1897). Theosophical Classics, Lamp of Trismegistus, 2015. Kindle Edition.

Milton, John. Paradise Regained. Aegypan, 2007. Book IV. Lines 176-177.

Muller, Max. Wisdom of the Buddha: The Dhammapada. The Complete & Authoritative Edition Translated from Pali by F. Max Muller. From The Sacred Book of the East Translated by Various Oriental Scholars. Edited by Max Muller, Volume X Part I. Wisehouse Classics (Sweden) 2016.

Radhakrishnan, S. Gautama The Buddha. The Proceedings of the British Academy, Volume XXIV, being the Annual Lecture on a Master Mind, delivered before the British Academy under the Henriette I Hertz Trust, on 28th June 1938. Reprinted by Hind Kitabs, 1946.

Vivekananda, Swami. “Buddha’s Message to the World.” The Complete Works of Swami Vivekananda. Vol. VIII. Advaita Ashram (150th Birth Anniversary edition), 2021 (4th reprint). pp. 87-100.

·    Dr. Nibir K. Ghosh, UGC Emeritus Professor & former Head, Department of English Studies & Research, Agra College, Agra, has been a Senior Fulbright Fellow at the University of Washinton, Seattle, USA during 2003-04.

·     Dr. Sunita Rani Ghosh is Professor & Head, Department of Hindi, Agra College, Agra.


Published in Re-Markings Vol. 25 No.1 March 2026, pp.125-140.

v


 Copyright March 2026 Nibir K. Ghosh & Sunita Rani Ghosh.

 

Monday, 16 March 2026

RE-MARKINGS March 2026 Silver Jubilee Number (www.re-markings.com)





                 RE-MARKINGS March 2026 

Silver Jubilee Number

EDITORIAL

It is my privilege and honour to greet the members of the Re-Markings’ fraternity with a feeling of excitement and humility on this precious moment that has brought us to the landmark 25th anniversary of our publication since we began our adventurous journey in March 2002. In the vast continuum of time twenty-five years may be a mere speck but I wish to reiterate that what we truly need to celebrate is not the time span but our commitment to consistently provide a platform for the dissemination of ideas and concerns related to vital vibrant issues across the globe.

As a student in school I used to be fascinated by William Wordsworth’s line, “My heart leaps up when I behold a rainbow in the sky.” Today, I can say with a great deal of confidence that, among other avowed aims of Re-Markings, I hold paramount the need to bring the hues and shades of the uplifting rainbow of hope to the pages of the journal through debates and discourses on every conceivable issue that urges and compels us not to turn our gaze away from grim reality be it that of religion, race, colour, caste, class, gender, language, nature, community, nation or what you will. There can be little doubt that what we see all around is bound to fill us up with gloomy despair but it cannot be denied that what stirs us through such disconsolate terrains is our responsibility to believe and keep marching ahead in sync with the line from Rabindranath Tagore’s “Jodi tor dak shune keu na aase taube ekla chalo re” (If no one responds to your call, move alone) or with Arthur Hugh Clough’s poem “Say not the Struggle nought Availeth.”

Through 1500 plus articles, interviews, essays, stories, interviews, poems, memoirs, reviews and other variant genres like films, television, mass media, journalism and social media, Re-Markings has been able to showcase efforts made by individuals and communities to uphold the quest for truth and justice in whatever way possible. If established and acclaimed celebrity writers and academics have been adorning the journal with their brilliant creativity, it is heartening to mention that we have spared no pains to encourage and motivate young upcoming scholars and teachers to contribute their very best to the journal. Through our rigorous peer-review process and constant mentoring we have guided these enthusiastic youngsters to enhance their skills to understand complex texts and issues by adhering to meticulous and ethical norms of research and express their observations and views with clarity in lucid jargon-free language and style.

The current celebratory number of Re-Markings offers a kaleidoscopic range and variety of significant material catering to troubled landscapes on planet Earth in every possible domain of existence from ancient Kapilavastu to contemporary Africa, America, India, Australia and other spheres of human existence. Many a heart of our avid readers is bound to ‘leap up’ to see the towering presence of the first African Nobel Laureate in Literature Wole Soyinka at the top of the list of contributors in this volume. It is especially noteworthy that his poem shows the path of resistance and activism as medium of transforming the world by challenging the status quo approach adopted by the wielders of power everywhere. It is a matter of great significance that when the esteemed Soyinka was approached to contribute to this edition of Re-Markings, he instantly agreed to share his rebellious poem. Remarkably bold and strong even at the age of 91, the writer, playwright, poet and activist who dared to cause affront to the dictatorial attitude of Donald Trump towards artists and intellectuals without bothering that his outspokenness would deprive him of his US citizenship told Dr. Tijan Sallah that he was happy to learn that Re-Markings found his poem ‘usable’. Such a unique gesture of humility from a person of his stature reminded me of the lines from Kipling’s poem “If”: “If you can talk with crowds and keep your virtue,/ Or walk with Kings—nor lose the common touch, … / Yours is the Earth and everything that’s in it.” 

The voices from Africa in this issue succeed in bringing to the foreground the immensity of the power of narratives that have emerged from a continent that had for long been relegated to the epithet of a ‘dark’ and ‘uncivilized’ part of human civilization by many obsessed bearers of “the White man’s burden.” Likewise, narratives of traumatic disasters not only make us aware of the human ability to unleash mass destruction through Nuclear bombs and other lethal arsenals but also highlight how the resilient power of the struggle of survivors have motivated succeeding generations to remember, like Hemingway’s Santiago, that “a man can be destroyed but not defeated.” No less important are events like the Operation Blue Star that wrought unimaginable havoc on a particular community whose collective motive had always been ‘seva’ or service to humanity. Besides the post-colonial discourse on Macauley, the illuminating essays on teaching poetry, the Paika Rebellion in Orissa, the battle against vested interests to preserve and sustain the environment and thought-provoking insights into the arena of marginalized populations be it the Dalits in India or the African Americans in the world’s most powerful democracy have greatly enriched the contents of this beautiful bouquet of ideas. It is no small matter that, taken together, the contributions here amply reflect, like the rainbow, the spirit of harmonious multiculturalism cutting across divisive barriers and boundaries of discrimination and prejudice.

To all distinguished members of the Advisory board, editor friends, eminent contributors, passionate readers and ardent admirers of Re-Markings, I place here on record my everlasting gratitude. Thank you, one and all!

Nibir K. Ghosh

Chief Editor




CONTENTS

h The Deathless Battle Hymn - Wole Soyinka / 7

Five Poems - Tanure Ojaide : New Acquisitions / 9, Black & White / 10, Revisiting Warri / 10, I Seek Transformation / 11, They Call Us Names / 13 

Fame, Solitude and B. Traven: An Autobiographical Essay - Jonah Raskin / 15

Revisiting the Bluestar Operation and its Aftermath - Amritjit Singh / 27 

The Poet Harry Lloyd Van Brunt: Memories of My Benevolent Teacher - Tijan M. Sallah / 36

Surviving Hiroshima: A Conversation with Charlotte Jacobs on Hiroshima Survivor and Activist Setsuko Nakamura Thurlow - Robin Lindley / 47

Short Story

The Body - Véronique Tadjo / 59

There is No Cause for Control: Everything is Under Alarm! - Tess Onwueme / 65

The Hotel Malogo - Helon Habila / 71

How Does Poetry Teach Us? What Does it Teach? An Essay in Notes - K. Narayana Chandran / 83

Macaulay: To Whip or not to Whip, That is the Question - Shanker Ashish Dutt / 103

Tim Winton’s Shrine: Dramatizing Trauma - Mukesh Ranjan Verma / 117

The Buddha as an Epic Hero in Aśvaghoṣa’s Buddhacarita - Nibir K. Ghosh & Sunita Rani Ghosh / 125

Hero, Myth, Memory and Discourse: The Literary Afterlives of Buxi Jagabandhu and the Paika Rebellion - Tanutrushna Panigrahi / 141

 On the Cross: Tennessee Williams’s The Night of the Iguana–An Exploration - Shernavaz Buhariwala / 151

The American Dream and Exceptionalism in Contemporary African American Narratives of Resistance Konda Nageswara Rao / 158

Revising History: A Study of Narratives of Resistance in P. Sainath’s The Last Heroes: Foot Soldiers of Indian Freedom - Parwinder Kaur / 167

Environmental Ethics and the Challenge to Anthropocentrism in Ranjit Lal’s Budgie, Bridge and Big Djinn - Amandeep Kaur & Ankdeep Kaur Attwal / 177

 Rewriting Dalit History through Memory: Reading G. Kalyana Rao’s Untouchable SpringHarpreet Kaur / 184

Review Essay

On the After-life of the Anti-Sikh Violence of 1984 - Tej Nath Dhar / 191

Hindi Cinema vis-a-vis Muslim Representation - Pradeep Trikha / 195

 “I Love, Therefore, I Am”: Harjeet Singh Gill’s Dialogue with a Girl Friend - Hiba Aleem / 197


 

 COMMENTS

More than ever, we need clear thinking and reflection. Thank you so much for the celebratory Silver Jubilee March 2026 issue of Re-Markings.   I shall read it with interest and pleasure. - Véronique Tadjo

Many Congratulations on the Silver Jubilee issue of Re-Markings- this is truly an enriching and diverse collection of scholarly voices and research. - Shivika Mathur

I'm thrilled, Prof Ghosh! Such enriching and inspiring products of creativity. Well done with your team and our dear brother Tijan Sallah. Tess Onwueme

Dear Nibir Ghosh: Thanks a million for Re-Markings. I appreciate your using five of my poems that I submitted through my friend, Tijan Sallah. I will print the entire anthology. I hope to use it when writing essays on poetry. Again, thanks for the wonderful anthology. A poet is never happier than when published for the public to read! - Tanure Ojaide

Thank you Dr. Nibir Ghosh for your dedication! Congratulations on your splendid landmark! - Mini Nanda

Respected Sir,

First of all, please accept my best wishes for this silver jubilee march issue, as it is an outstanding achievement. It needs one hundred percent commitment, perseverance and a kind of unwavering devotion. This voyage of yours explicitly reflects these characteristics and inspires me a lot. I have also read your blog. It is outstanding, and it's ironic that amid this escalation of war, humanity has not learnt not even a single lesson from the previous wrongdoings that are visible in your work.- Pallavi Goyal Sharma

Professor Ghosh Sahab, Heartiest greetings and congratulations on the publication of the 'Silver Jubilee' Number of your journal of high esteem and recognition. The credit of the continuity of this great academic exercise solely goes to your missionary approach and visionary thinking. Thanks for your kindness to send me a copy of the celebratory "Re-Markings".... Dr. Nand Kumar

Dear Prof Nibirda...it took a little time to respond, since I have been reading the article no.of times...An excellent Article, which can be penned by none other than Nibirda and Sunita jointly...we both also enjoyed it together, interacted, respected the wisdom of Paromita...and thanked you for sharing such a wonderful researched writing...Conquering ourselves although remained a question mark, but you have incited practicing it ... for the benefit of mankind...Thank you once again dada...With warm regards...Debasish and Paromita Chakraborty