Friday, 14 August 2026

Consciousness of Women in the Writings of Rabindranath Tagore by Sunita Rani Ghosh

 

Consciousness of Women in the 

Writings of Rabindranath Tagore

Sunita Rani Ghosh

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In this brief and succinct tribute to Rabindranath Tagore on his recent birth anniversary, the focus is on the writings of Tagore that foreground his talent in vesting his woman characters with the power to create a future for themselves rooted in independence, freedom and self-reliance.  

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Gurudev Rabindranath Tagore’s literary works reflect a deep consciousness of womanhood. He played a major role in establishing Indian literature, music, art, philosophy, and culture on the global stage. Tagore, the composer of the national anthems of both India and Bangladesh, was honored with the title “Gurudev” by Mahatma Gandhi. In 1913, his poetic work Gitanjali, translated into English by himself under the title Song Offerings, received the Nobel Prize in Literature, making him the first Asian to receive this prestigious honor.

As an educationist, the establishment of Visva-Bharati University at Santiniketan was the embodiment of his educational philosophy. As a poet, storyteller, dramatist and essayist, Tagore enriched literature through his timeless crea-tions.

Tagore’s creative period was marked by political upheaval, uncertainty, tension, and conflict. His literature is not merely a document of his times; it is also a journey toward the spiritual, intellectual, emotional, and moral development of humanity far ahead of his time. No great writer in the world has remained untouched by sensitivity toward women’s consciousness, and Tagore was no exception. His female characters are not merely imaginary; they represent positive social transformation and continue to inspire and move women even today.

In his poem “Sabala” (The Empowered), the woman persona  seeks to conquer her own destiny. She prays to God for the gift of speech so that the emotions within her may find articulation in the right direction. Tagore’s literature clearly reflects the influence of the Bengal Renaissance. In his works, women some-times appear as compassionate and sensitive embodiments of humanity, and at other times as protectors of moral values who struggle for self-respect and dignity while fighting against social orthodoxies and so-called “Lakshman Rekhas.”1

In the story “Streer Patra” (The Wife’s Letter), the narrator and protagonist Mrinal writes a letter to her husband after fifteen years of marriage, informing him of her decision to leave home. She no longer wishes to live in a family that does not respect her, and where another woman sets herself on fire to escape from a violent and insane husband. Mrinal’s anger is also directed toward a society that closes the doors for married women to return to their parental homes. She concludes the letter with the poignant statement:

You think I’m going to kill myself—don’t be afraid, I wouldn’t play such an old joke on you all. Meera-Bai, too, was a woman, like me; her chains, too, were no less heavy; and she didn’t have to die to be saved. Meera-Bai said, in her song, “No matter if my father leaves, my mother too, let them all go; but Meera will persevere, Lord, whatever may come to pass.” And to persevere, after all, is to be saved. I too will be saved. I am saved. Removed from the Shelter of Your Feet. - Mrinal

As a writer, Tagore drew inspiration both from the vast treasure of Indian knowledge traditions—Vedas, Puranas, and Upanishads—and from modern Western thought. Therefore, he expressed the eternal values and traditions of Indian culture in new forms. His mythological plays played an important role in developing women’s consciousness. By portraying mythological women as self-aware, outspoken, morally strong, and powerful personalities, he conveyed that these female characters need reinterpretation and re-reading.

One such play based on the Mahabharata is Chitrangada. Chitrangada is a woman who knows how to love openly and express her feelings fearlessly. Tagore’s vision of women’s consciousness seeks not only physical liberation but also inner freedom and emancipation from mental slavery.

The heroine of the story “Samapti,” Mrinmayi, wishes to live life on her own terms. She is carefree like a free bird and is not attracted by traditional images of womanhood. Struggling with many complexities of married life, she finally decides to preserve her independent identity. According to Tagore, women deserve not sympathy but intellectual respect and equal opportunities in every sphere.

The heroine of the novel Ghare Baire (The Home and the World), Bimala, struggles to fulfill her political aspirations and search for social freedom. The novel was adapted into a film by Satyajit Ray. In Tagore’s works, women break the stereotypes created by patriarchy. His modern, aware, intellectual women are not merely symbols of sacrifice and devotion but individuals with independent thoughts and desires, human complexities and flaws, constantly engaged in self-discovery. Fearlessness is the defining trait of Tagore’s female characters.

In Nastanirh (The Broken Nest), the heroine Charulata, the wife of a busy journalist, openly expresses her love for her brother-in-law Amal in front of her husband and reveals the neglect of her talent and her frustrations. Even when her husband asks her to begin life anew, she refuses and chooses solitude instead. Similarly, Binodini of Chokher Bali (Eyesore) struggles with questions of self-respect and the meaning of life. Rituparno Ghosh adapted Chokher Bali into a film, while Satyajit Ray adapted Nastanirh into the 1964 film Charulata.

The heroine of the novel Shesher Kobita (The Last Poem) Labanya, is an educated and independent-minded woman. Though she loves Amit, who was educated at Oxford, she does not marry him. Through this novel, Tagore raises the question: Is marriage the ultimate goal of love?

The way Tagore portrayed women was unimaginable in his time. He broke many social taboos and even expressed deep emotions toward real women in his personal life. He wrote emotionally about his sister-in-law Kadambari Devi, saying, “Where is my beloved, who in childhood was perhaps my only companion?”

Tagore was far ahead of his time, and perhaps that is why he had to endure much criticism. Every great individual passes through such suffering because society is often not prepared for broad and open-minded thinking. Tagore’s personal life, too, was filled with many tragedies, but he transformed his pain into creativity—something only rare individuals with extraordinary talent and divine qualities can achieve.

In Tagore’s works, women’s consciousness lies in the pride of being a woman, in her self-worth, individuality, and dreams. Even today, society has not become fully sensitive toward half of its population. Modern women continue to struggle daily against domestic violence, gender inequality, and workplace harassment. In such times, Tagore’s female characters teach that every woman must fight for her own freedom, identity, and dignity. Indeed, even in a society burdened with practices like child marriage, sati, and illiteracy, Tagore’s women were not marginalized but stood equal to men. In many places in his writings, women appear even more progressive than men because of their creativity, courage, and capacity for positive change.

NOTE

1. Lakshmana Rekha (reminiscent of the line drawn by Lord Rama’s brother), in modern Indian parlance, refers to a strict convention or a rule, never to be broken. 


Dr. Sunita Rani Ghosh is Head, Department of Hindi Studies and Research at Agra College, Agra.


Published in Re-Markings September 2026, pp. 51-53

Re-Markings September 2026 Silver Jubilee 2nd Edition

 

EDITORIAL

In the 250th anniversary year of the Declaration of Independence,  curated by the  founding fathers of American democracy and adopted by the Continental Congress at Philadelphia on 4th July 1776, it may be worthwhile to remember how the Declaration set free the thirteen English Colonies from the British rule under King George III and set in motion the genesis of a nation that is recognised today as the most powerful democracy in the world. 

However, when we reflect on “life, liberty and pursuit of happiness” enshrined in the Declaration of Independence, we cannot stop wondering at the irony of these democratic ideals being at variance with ground reality of American society and polity. Besides the tragic narrative of the “Trail of Tears” related to the fate of the native Indian tribes who were driven away from their own land, it is significant to note that slavery was a part and parcel of the thirteen Colonies when the said document was signed. It is believed that a whole paragraph condemning slavery that had been included in the initial draft of the Declaration by Thomas Jefferson was cleverly omitted from the document before it was finalized to avoid causing displeasure to influential slave owners, especially in the Southern British Colonies. In this context it is relevant to recall the “What to the Slave Is the Fourth of July?” speech delivered by the self-educated former slave Frederick Douglass on 5 July, 1852 wherein Douglass candidly jolted the conscience of predominantly White America: “The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me…. I do not hesitate to declare, with all my soul, that the character and conduct of this nation never looked blacker to me than on this 4th of July! Whether we turn to the declarations of the past, or to the professions of the present, the conduct of the nation seems equally hideous and revolting.”

The Black Power Movement, Affirmative Action, Bills and Legislations outlawing segregation may have reduced the extent of the Black/White divide in the U.S. but the recent Black Lives Matter movement has again brought to the fore that discrimination on the basis of colour and race remains a reality. In his American Book Award winning book, Between the World and Me (2015), Ta-Nehisi Coates writes emphatically: “America believes itself exceptional, the greatest and noblest nation ever to exist, a lone champion standing before the white sky of democracy and the terrorists, despots, barbarians, and other examples of civi-lization.”

Interestingly, the “pursuit of happiness” by the U.S. as a nation is nowhere so visible as in the arena of war. The Spanish-American war in 1898, dropping of atomic bombs on Hiroshima and Nagasaki, indiscriminate involvement in the Vietnam war, the “Operation Enduring Freedom” in Afghanistan, the invasion of Iraq, the ongoing operations code-named Epic Fury and Roaring Lion against Iran, offer glaring instances of the unabated longing of America to satisfy its urge for expansionism and conquest.

Notwithstanding the above inconsistencies, it cannot be denied that the U.S. holds a position of its own in numerous spheres making it the first choice of all concerned across the globe who yearn for value-based education, lucrative careers or quality of life. A country that can boast of 430-plus Nobel Laureates and where even school and university dropouts like August Wilson, Bill Gates, Mark Zuckerberg Steve Jobs, Elon Musk, Oprah Winfrey, Stephen Spielberg among others have displayed their potential to transform the world with their innovative contributions to life, art and technology, certainly deserves to be congratulated for the 250-years milestone. The dictatorial antics of the present President in making a mockery of democratic principles may be overlooked as comic relief with the Buddhist stance: ‘this too shall pass.’

Intensive analytical discourses on democracies and their dilemmas have always figured among the top priorities of Re-Markings along with issues and concerns related to nation, culture, religion, gender, race, caste, colour, class, technology, displacement, migration, environmental crisis and human rights on global scale. It is not surprising that the plight and predicament of women worldwide figure prominently in this issue as in most previous volumes. It is doubtlessly one of the most complex issues confronting mankind since the dawn of human civili-zation.

Be it democracy or dictatorship, the hope lies in the belief that telling, sharing and writing stories of struggle and resilience do awaken our conscience and make us look within and without rather than turn our eyes away from facing reality. Four years ago, 22-year-old Mahsa Amini died in police custody in Iran for not wearing her hijab ‘appropriately.’ Her sacrifice did not go in vain because out of her martyrdom arose the “Jin, Jîyan, Azadî” (“Woman, Life, Freedom”) movement that took the world by storm. In mid-June this year the Iranian singer Parastoo Ahmadi was sentenced to 74 lashes for singing without a hijab in a concert. Her loaded response to the punishment is inspirational indeed: “I am Parastoo, a girl who cannot stay silent and refuses to stop singing for the people she loves. This is my right, one I will never surrender… listen to my voice in this imagined concert, and dream of a free and beautiful nation.” May Parastoo’s tribe increase to carry forward the resistance and defiance by women against patriarchal and tyrannous societies and regimes.

Before concluding I would like to put on record my grateful thanks to the contributors for their offerings to enrich our celebratory volume and to the devoted and dedicated members of Re-Markings’ fraternity for their consistent motivation and encouragement. I also take this opportunity to welcome and congratulate Dr. Satvir Singh on his induction into the Editorial board.

Nibir K. Ghosh

Chief Editor

CONTENTS

Views from California - Jonah Raskin

The Toxicity of War: Mr. Nobody Against Putin - A Movie Review Plus Commentary / 7, “Delhi Crime”: A Three-Part Netflix Series Set in India Today / 8, Autobiography of a Romantic Revolutionary/ 12, Mahasweta Devi:

The Mother Teresa of Indigeneity / 13

An Entire Star Has Left Us: Chinua Achebe, In Memoriam - Tijan M. Sallah / 18

The Poet Upendra Bhanja - Biswanath Kar (Tr. Manoranjan Behura) / 26

The Literary Genius of Satyajit Ray, The Last Renaissance Man of India - Rakesh Bhatia / 31

Not All That Strange: An Examination of Eugene O’Neill’s Strange Interlude - Shernavaz Buhariwala / 35

Bhupen Hazarika: The ‘Bard of the Brahmaputra’ - Sukalpa Bhattacharjee / 43

Consciousness of Women in the Writings of Rabindranath Tagore - Sunita Rani Ghosh / 51

The Poetics of Peace: A Dialectical Study of Wilfred Owen and Rabindranath Tagore - Shrikant Singh / 54

Symbiotic Ambience in the Folktales of Bihar - Bhavesh Chandra Pandey / 60

Feminism or Femischism? - Deepa Chaturvedi / 66

Exploring the Life of a Forgotten Pioneer: A Postcolonial Reading of Deepta Roy Chakraverti’s Daktarin Jamini Sen - Lalita Sharma / 77

Killing Intelligence Digitally through Affection and Approval: A Personal View of the AI-saturated Future - R. P. Singh / 87

Afropolitanism and Identity in Selsai’s Ghana Must Go and Teju Cole’s Open City - Navleen Multani / 91

“I must say what I feel and think in some way”: Revolting the Rest Cure and Disen-chantment in Gilman’s “The Yellow Wallpaper” - Shivika Mathur / 101

God as Nature: A Comparative Study of Avatar and the Bhagavadgita through Deep Ecology - Padm Nabh Trivedi & Smita Jha / 110

Flavours of Home: Food, Memory and Cultural Identity in Selected Diasporic Writings - Shweta Awasthi / 120

Technology and Human Beings in Kazuo Ishiguro’s Never Let Me Go - Harneet Brar / 126

Space, Place and City: A Conceptual Analysis - Harpreet Kaur / 134

Dramatizing Nothingness/Chaos: Absurdist  Aesthetics in Contemporary Feminist Theatre

- Anshul Malik & Tanya Mander / 141

Intersectionality in Trans Autobiographies: A Study of A. Revathi and Living Smile Vidya -Monika & Sunita Siroha / 152

Fragile Thread: Trauma, Redemption and Aesthetic Representation in The Kite Runner -Nidhi Mishra & Manjusha Kaushik / 160

Netaji, the Indian National Army and the Search for an Indian Identity - Monib Ahmad / 164

Entangled Margins: Intersectionality and Narratives of Oppression in Indian Literature - Zahra Ahmad / 171

Attentiveness and the River: Siddartha’s Journey Princepal Singh / 181

Trauma and Healing in Anuradha Roy’s Sleeping on Jupiter - Saloni / 188

Review Essay

Shaping Minds and Changing Lives: Review of Global Luminous Lives by Nibir K. Ghosh - Pallavi Sharma Goyal / 195



Comments

Heartiest congratulations on the publication of the Silver Jubilee September 2026 issue. Reaching this remarkable milestone of twenty-five years is indeed a moment of great pride and celebration. It is a proof of your unwavering commitment, vision, and dedication to sustaining a meaningful platform for literary and scholarly publication. I feel privileged to be associated with this remarkable publication and deeply appreciate the opportunity to be a part of its continuing legacy.

Congratulations  once again on this landmark achievement, and my warmest wishes for many more successful and enriching years ahead. - Dr. Satvir Singh, Assistant Editor Re-Markings

 Greetings of the day sir. Heartiest congratulations on the Silver Jubilee September 2026 edition! Reaching this remarkable milestone of 25 years is truly an achievement worthy of celebration, appreciation, and admiration.

On a personal note, I deeply admire your warm, inspiring, and profoundly scholarly personality. Your exceptional intellectual contribution, unique perspective, and highly analytical scholarship have been a great source of learning and inspiration. Through your valuable work and guidance, countless teachers and scholars in India and abroad are benefiting and enriching their academic pursuits.

You are truly one of the most unique, insightful, and highly analytical scholars of our times. Your 25 years of dedicated service to scholarship and publication are deeply commendable and deserve the highest appreciation.

Thank you very much, dear and respected Ghosh Sir, for your invaluable contribution, encouragement, and for inspiring generations of teachers and scholars.

Warmest congratulations and heartfelt best wishes for many more glorious, fruitful, and inspiring years ahead. Thanking you dear sir. - Dr. Konda Nageswar, Osmania University, Hyderabad

Being part of the second edition of the Silver Jubilee issue of Re-Markings has filled me with immense joy and satisfaction. Ever since I have known you, you have always supported and guided me. Your presence in my life as a mentor is inexplicable. 

I would persistently pursue literature, as it has not only filled a void in my life but also enhanced my critical thinking and made me slightly more insightful. - Dr. Pallavi Sharma Goyal, Govt. College, Shivpuri, MP.

 


© Re-Markings & Nibir K. Ghosh 2026

Thursday, 13 August 2026

Global Luminous Voices: Essays on Resistance and Change by Nibir K. Ghosh Reviewed in Re-Markings September 2026

 




Review Essay

 

Shaping Minds and Changing Lives


                                        Pallavi Sharma Goyal

“A reader lives a thousand lives before he dies. The man who never reads lives only one.”  This meticulous portrayal, attributed to Jojen Reed in George R. R. Martin’s A Dance with Dragons, which expresses the strong bond present between books and their readers, can be applied to the latest book, Global Luminous Voices, by Nibir K. Ghosh. In a single book, a reader can experience a vast multitude of facets of life. The book feels like long conversations held across the globe against the discrimination of caste, creed, colour, gender and reaches at its culmination while pondering over the queries of coexistence with Nature.

The book proffers a task that one can perform during one’s lifetime to make this earth a better place; so even after millions and millions of years of civili-zational journey, one would peruse this earth, trace the different pathways and yet share an intellectual and aesthetic oneness, a unique power conferred on mankind.

In the panoramic view of the book, the reader finds himself roaming across the American, African, European and Indian societies and cultures, depicted in their literary dimensions, in their artistic cults, in the vast lane of discrimination where human survival experiences sundry resistance based on caste, colour, creed, language, gender, physical disability and try to overcome all such hurdles with an amiable and empathetic desire to maintain a coexistence with each other. The book luminously echoes the voices of those whose dire attempts have enabled civilisations to enjoy a few more perks of the environ-ment by raising their voices against the destruction of this beautiful earth and the associated sentiments. The book appears as a crusade in crumbling humanitarian visions, and takes one through the corridors of memory where reminiscences, wit, wisdom, survival and manipulation turn strong. It avers the luminous aspects of those lives that became successful in bringing out the enlightened versions of their lives before the world. In its structure, the epi-sodic moments raise varied questions before the self-proclaimed intellectuals and the determiners of the rights and wrongs of social, political and individual policies.

It portrays a world that has been standing at the brink of extinction, where even the contemporary natural disasters do not seem to suffice for humans to ponder, analyse and reexamine their errors, where the global tour and travel companies offer the wanderers to explore one of the most fragile landscapes of Antarctica, “as the last chance of tourism,” and where the superpowers have decided to poke their noses into the deep strata of earth, contaminating the last edge of our all five elements to establish the fact that we as a human race have not only been discriminating with fellow human beings but have also failed to learn the lesson of harmonious coexistence with our environment. Thus, by disseminating the efforts of those who have contributed to making this world a better place equally and rationally, the essays come out as an Idiom of Hope.  

The very first discourse entitled “Ralph Waldo Emerson: Visionary Architect of America’s Literary Renaissance” unveils subtle facts about America, which, from being a “cluster of thirteen English Colonies” (17), gradually evolved into the only superpower of contemporary times. The revolutionary proclamation of the Englishman Thomas Paine that “... it is evident they belong to different systems: England to Europe, America to itself” (18) puts forth the importance of individual existence where one can sustain apart and yet be joined with one’s counterparts, living in amiable harmony. The truth that, for a long time, the position of America in the stream of literature was one of “plagiarising” reminds readers of the fact that this world flourishes by the dynamic conception of equity and togetherness. For those who once mocked, “Who reads an American Book?” (18), the world must put the fact on fore that Chaucer, the man who has been indebted as a Father of English Literature, borrowed literary material from France, Italy, Germany, translated it into Middle English, and gradually pioneered the way in making England a cornerstone of written artistic works, academic research or printing marketed materials. In this regard, the first essay on Ralph Waldo Emerson comes out as a prominent resource for those who want to transform their country into a supreme global power with the arduous efforts of the intelligentsia.

The author returns again and again towards the question of remonstrance. The chapter on Fredrick Douglass, “From Slavery to Freedom on the Wings of Words,” mirrors the pathetic actualities of “coloured” ones' lives, the cruelty of the one who preferred colour over the “less than human.” The suffering that a child undergoes after his separation from his mother, the sudden turn of events when Sophia, a white lady, transforms from being an empathetic woman into an apathetic white woman, and amid all these storms, the zeal to read passionately, give the chapter that integrity that was an inseparable part of the life of “An American Slave.” The agony, pain and anguish of the American Slave is the crude, inseparable and palpable truth of American dream that impacted and affected the “colours” differently and against which the message of Fredrick Douglas on Life, liberty and the pursuit of happiness ushers more convincingly and strongly.

Distinctly, Global Luminous Voices peeps into the lives of Law-makers and Law-seekers. It marks not only the historical oppression, exploitation and wrongdoings, but also searches for artistic excellence through a court trial. The scrutiny of Nicola Sacco and Bartolomeo Vanzetti’s trial and conviction and the delineation of the same in the play Winterset by Maxwell Anderson propounds the significance of Literature in bringing out the truth, where the characters are not artists alone but serve as spokespersons of the oppressed and deliberately awake the people lost in ignorant slumber. The conversation between “Mio” and “Gaunt” where Mio argues, “When a court panders to mob hysterics...it may be due process of law, but it’s also murder” and the quick response of Gaunt, “Certain Laws seem cruel in their operations; it’s necessary that we be cruel to uphold them” (44) assert the infinite struggle of the humans against their own creed, strengthens and yet mourns the fact that “small injustice is easily subordinated to the common good of those who rule through money and power.” (45)  

Considering the world as a manifestation of sundry desires, where jealousy and rivalry could paralyse even the greatest of minds, the adulation and accolades that James Baldwin receives from his literary friend, Tony Morrison, “the first African American Literature Nobel Prize recipient” (64), from Amiri Baraka (aka Leroi Jones) (65) and from Maya Angelou underline the divinity, the indissoluble dimension of humanity and a paradigm by which one can upraise the pennant of egalitarianism, supporting and strengthening the radiant voices across the globe.

The book reiterates its belief in James Baldwin’s words where he promptly argues that “the place in which I’ll fit will not exist until I make it.” (66) In this regard, these global luminous voices attempt to create a more conceivable world far from any bias, bigotry, prejudice or any apathetic social conventions.  It disseminates the zeal of Negroes, where, while sobbing upon the admission of the truth that Black is a terrible colour with which to be born into the world, they still stand as pioneers of harmony and mutual respect: “Negroes are Americans and their destiny is the country’s destiny.” (69) Apart from seeking a utopian coexistence for both White and Black, it also suggests the universal reality of the entire world: “Whether I like it or not, or whether you like it or not, we are bound together forever” (71) and thus yearns for the innate desire that the world demands coexistence and harmony.  

The book arrived at a time when the globe was much at peace. Since the attack by America and Israel on Iran on 28th February 2026, the message of the book gets more and more tangible and accurate as the chapter “American Democracy on Trial” comes alive on the global platform. The writer jotted down his concerns way before this disparaging war, on January 20, 2021, by pointing out how “glaring ground reality inconsistent with avowed principles” (97) under Trumpian leadership left real-world voices for resistance and change biting the dust.

The acceleration of war to destroy every productive enterprise of the enemy country, and the growing power of the armed forces, the roaring admission of General George Patton that “... no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country,” (50) rightly questions the real worth of patriotic sentiments when, bound by man-made lines, people become ready to make a supreme sacrifice for their country and leave the voices lamenting over the real gain.

The theme of class consciousness and quest for identity runs throughout the book. The Autobiography of Edouard Louis, the symbolic relations of “video games, rap, drinking beer, playing football, going fishing or hunting,” (188) with men and “loving the theatre, female vocalists and dolls,” (188) with women, the instinctive belief in the importance of race by August Wilson “I believe that race matters that is the largest, most identifiable and most important part of our personality…we are black and beautiful” (92), and the experience of author himself as a prisoner of war in “A Study of Kurt Vennegut’s Slaughterhouse-Ffive emphatically portrays the fact that even in the twenty-first century the discriminatory dimensions have not changed much.

Apart from the imbued American vision, the book also brings forth luminous voices from India. The first Nobel Laureate from the country, Gurudev Rabindranath Tagore, the global voice of India, the saint and philosopher, Swami Vivekananda, and the proclamation of Sri Aurobindo are deftly incorporated into the words, pragmatically. The cinematic vision of Satyajit Ray and the global admiration for his art, as depicted in the essay, significantly highlight India's efforts to make this world a better place through “The Bliss of the Inward Eye.”

Between the lines, Global Luminous Voices reiterates the warp and weft of being a woman. The Indian view of women's equality is critically analysed through the study of Rajinder Singh Bedi’s “Lajwanti” and Gulzar’s “Dalia.” The grim reality of a husband-wife relationship where the severest beatings by the husband underscores the male chauvinism and the mere acceptance of the cruelty as their fate by the wife in the story “Lajwanti” and the calm acceptance of Neeti Tai in “Dalia” to the conspiracy of silence reveal the reality of the woman where one who has gone through a fatal, life threatening experience of molestation cannot even think of daring to provide any subsistence to other women and have to assent to their predicament subjugated to the male dominance.  

How women, as mothers, conceal a divine power to bring out the best in their progeny, the various voices of the varied essays demonstrate poignantly. The admittance of Swami Vivekanand, “It is my mother who has been the constant inspiration of my life and work”  (116), the influence of Emma Berdis Jones on the life of James Baldwin, the deferential demeanour of Aristophanes for women depicted in the essay “Words and Worlds - Why Literature Matters”: “I would rather stand three times with a shield in battle than give birth once,” the statement of August Wilson, “the cultural environment of my life, the forces that have shaped me, the nurturing, the learning, and all black ideas about the world I learned from my mother,” (79) disclose the significance of a woman’s role in converting, guiding and beautifying a man’s life by teaching them to treat their counterparts with respect and care.

The essay, “Paradigms of Evolution in Francophone African Women Writings: Leonara Miano’s Twilight of Torment” opens a new window for those unaware of the oppression, resistance and change in the predicament of women in Francophone Africa. The acceptance by Leonora Miano in the novel Twilight of Torment about the "perennial torment" of African Women brings to light another crucial aspect of women’s world where, due to the extreme torture and subjugation, the "deadening of heart" of women has changed and affected the whole family structure across the globe. The voices concerned with the Saharan and African descent, present in the novel Twilight of Torment, explicitly accentuate the crisis of being a woman, and especially a black woman, because “there is no place for a soft/black/woman.” (163)

The elaborate commentary in “Rest and Unrest: Edward Thomas’ Pilgrimage to Nature” records Thomas’s travel accounts and his unyielding devotion to Mother Earth, where he “lamented the degeneration of rural spirit in England and recalled the rural and cultural heritage of the past.” (183) This disquiet suddenly hits us more when we acknowledge our dilapidated environment, resulting from the avarice of so many. The adorable and environmental literary sermons of Edward Thomas alert people that not every vision, spectacle, or landscape associated with Nature is meant to be met by people just because it is there. Rather, it should be handled, examined and refurbished with utmost care and affection because of its fragility and its necessity for the upcoming generations.

The symphony of essays not only covers the inquisitiveness regarding the bigotry, prejudice and favouritism relied upon the licentious demeanour of the societal coteries, but it also scrutinises the relevant threats imposed upon the environment by the reckless development and acquisitiveness of human civilisation.

The book feels like a unified piece of art and yet offers multiple independent perspectives. The transition between chapters is decisively smooth. The chapters, “Words and Worlds: Why Literature Matters” and “Re-Thinking Relevance of Literary Theories,” offer brilliant commentary on the relevance of literature and literary theories. Though they might suggest a shifting point of view of the writer, but collectively they provide the book a rainbow-like appearance and manage to keep the theme interesting. The book strengthens the belief that, as a human race, we can no longer afford a world that has proved disastrous to many of its inhabitants simply because they are not of the same colour, caste, creed, or sex.

The ‘words’, according to Ghosh, are for the torchbearers who wish to leave their surroundings salubrious, who are the truthful vigilantes and who yearn for a world where men uplift themselves from the factitious cares and superfluously coarse labours of life and redirect them to enjoy those finer fruits of life that make life more amiable, that make a place where one can go and directly experience the compassion and nobility that have been the essential traits of being human.

Words in Global Luminous Voices invoke hope while peeping into the lives of novelists, poets, story-writers, film-makers, environmentalists and most importantly into the lives of the common man, recording their courage and perseverance against every ill-will and, thereby, celebrating their refusal to be intimidated by any pressure or discriminatory prejudices. It reminds us how persistent refusal to surrender to power has made these people humble and yet determined advocates of resistance and social change. The collection is bound to be an essential read for students and scholars interested in straddling across continents and cultures from the cosy confines of their homes.

 REFERENCE

Global Luminous Voices: Essays on Resistance and Change by Nibir K. Ghosh. Authorspress, 2025. pp. 246. 1400.

·        

Dr. Pallavi Sharma Goyal teaches English at Govt. SMS. P. G. College, Shivpuri (M.P.) She is Executive Council Member of Rani Avanti Bai Lodhi University, Sagar.

                                                                 

***

Published in Re-Markings Vol. 25 No. 2 September 2026 pp. 195-200.


 

 

 

    

Wednesday, 18 March 2026

THE BUDDHA AS AN EPIC HERO IN AŚVAGHOṢA’S BUDDHACARITA by Nibir K. Ghosh & Sunita Rani Ghosh Re-Markings Silver Jubilee March 2026

 

The Buddha as an Epic Hero in Aśvaghoṣa’s Buddhacarita


Nibir K. Ghosh & Sunita Rani Ghosh

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The paper makes an attempt to examine and evaluate the life and personality of the ‘Enlighted One’ as depicted by Asvaghosa in his immortal classic Buddhacarita, translated from Sanskrit into English by the acclaimed Indologist Edward B. Cowell in 1894/1895. Following the chronology of events beginning with the birth of the Buddha till the moment of his attaining enlightenment under the holy tree, the paper emphasises the epic grandeur of the heroic thoughts, experiences and utterances of the principal protagonist who, distressed by the sights of old age, sickness and death, makes a steadfast and unwavering commitment to liberate mankind from the throes of unmitigated misery.

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The life of Buddha has an especial appeal. All my life I have been very fond of Buddha. …I have more veneration for that character than for any other—that boldness, that fearlessness, and that tremendous love! He was born for the good of men. Others may seek God, others may seek truth for themselves; he did not even care to know truth for himself. He sought truth because people were in misery. How to help them, that was his only concern. – Swami Vivekananda (98)

Swami Vivekananda’s eloquent veneration for Gautam Buddha lucidly resonates the admiration and esteem that Aśvaghoa (80-150 AD), the earliest known Sanskrit poet and philosopher, has expressed in Buddhacarita, his immortal creation celebrating the exemplary life of the Exalted One from the time of his birth to his attainment of Enlightenment. A brahmin by birth who later converted to Buddhism, Aśvaghoa became a true Buddhist in flesh and spirit and sincerely followed the Eight-fold Noble Path initiated by the Buddha. On account of his multi-sided genius, Aśvaghoa became a prominent figure as a poet and spiritual counsellor in the reign of Kanishka, the Kushan Emperor recognised in Indian History as a powerful ruler engaged not only in expanding his empire but also in spreading the ideals of Buddhism. Inspired by Kanishka’s patronage and encouragement and urged by his own devotion to the Buddha, many of Aśvaghoa’s creative works viz. Buddhacarita, Saundarānanda and Sāriputra-Prakaraa provide indelible imprints of Lord Buddha on his astounding creative abilities. In Aśvaghoa, notes Roma Chaudhuri, one can also find “many clear instances of a compassionate desire for inspiring, teaching, helping, serving, reforming and uplifting others.” (Chaudhuri 14)

The paper is an attempt to showcase the heroism of the Buddha who, unlike other famous epic heroes who distinguish themselves through their valour in battles and wars, amply justifies what we learn from The Dhammapada that “If one man conquer in battle a thousand times thousand men, and if another conquer himself, he is the greatest of conquerors. … One's own self conquered is better than all other people; not even a god, a Gandharva, not Mara with Brahman could change into defeat the victory of a man who has vanquished himself, and always lives under restraint.” (The Dhammapada Ch. VIII 103-105, p.15)

Aśvaghoa’s Mahakavya or epic poem The Buddhacarita originally consisted of 28 cantos, of which the current edition translated into English as well as edited by Edward B. Cowell offers 14 cantos. Each canto or book has a title to itself except the 14th. It is important to bear in mind that the translator Edward B. Cowell (1826-1903) was a distinguished Sanskrit scholar who had a long academic stint in India, as Professor of English History at Presidency College, Calcutta and as Principal of Sanskrit College, Calcutta before he joined as the first professor of Sanskrit at Cambridge University in 1868, a position he held until his death in 1903.

Book I, titled “The Birth of the Holy One,” opens in the city named Kapilavastu, after the great sage Kapila, under the rule of the Sakya King Suddhodana, “the very best of kings … intent on liberality yet devoid of pride; a sovereign, yet with an ever equal eye thrown on all.” (Bk. I/ 10) Peace and prosperity reign supreme in the reign of Suddhodana distinguished by “its pure and lofty system of government,” inhabited by “surpassingly excellent citizens,” and “numberless councillors of exalted wisdom.” (Bk.I/3,4,14) Suddhodana’s companion in life, Queen Maya, is portrayed as “a mother to her subjects, intent on their welfare, … shining on her lord’s family like the goddess of prosperity.” (Bk.I/16) The birth of the Buddha is occasioned by divine dispensation when he enters, as a sudden thought, into the womb of the noble queen to “destroy the evils of the world.” (Bk. I/16) Then, one day, when the queen visits the garden at Lumbini, while she supported herself by a bough laden with a weight of flowers, “the Bodhisattva suddenly came forth, cleaving open her womb.” (Bk.I/24) It was a moment of great rejoicing for all in the kingdom as the newborn prince, “with glory, fortitude, and beauty … shone like the young sun descended upon the earth.”  (Bk.I/31)

The arrival of the great seer Asita on the occasion gladdened king Suddhodana’s heart when he told the King that the motive for his coming was to share the happy tidings that his son was born “for the sake of supreme knowledge.” On hearing this, the king in his joy showed the prince to Asita who instantly noticed the prince’s “foot marked with a wheel, his fingers and toes webbed, with a circle of hair between his eyebrows, and signs of vigour like an elephant.” (Bk. I/65) Asita’s eyes filled with tears on seeing these auspicious signs emblematic of divinity. Asita’s tearful eyes disturbed the king with fearful thoughts. Asita put the king’s anxiety to rest by assuring him that there was no cause for worry as the prince had been born as the saviour of the world steeped in misery:

this child is now born, — he who knows that mystery hard to attain, the means of destroying birth. … Having forsaken his kingdom, indifferent to all worldly objects, and having attained the highest truth by strenuous efforts, he will shine forth as a sun of knowledge to destroy the darkness of illusion in the world.” (Bk.I/73-74) …. He will proclaim the way of deliverance to those afflicted with sorrow, entangled in objects of sense, and lost in the forest-paths of worldly existence, as to travellers who have lost their way. (Bk.I/77).

These words of the great sage brought relief to the king and queen and filled everyone with joy in the kingdom.

Book II – Life in the Palace – gives a vivid account of the formative years of the prince who was named Sarvārthasiddha – an accomplisher of all objects. All things that could please the senses of the child were readily made available to him in the protected environment of the palace. As it is said that “the childhood shows the man,/ As morning shows the day,” (Milton ll.176-177) the prince gave indications of his extraordinary traits. As he progressed from childhood to middle youth, he learned the sciences in a matter of days what others would need years to master. With perfect self-control, he “subdued by firmness the restless horses of the senses; and he surpassed his kindred and citizens by his virtues.” (Bk.II/34) He pursued such knowledge as was beneficent to “all mankind as much as to his own subjects” (Bk.II/35) and found bliss in calmness and compassion. He sought glory not in terms of worldly achievements but that came from virtue.

In due course of time, King Suddhodana chose for the prince “from a family of unblemished moral excellence a bride possessed of beauty, modesty, and gentle bearing, of wide-spread glory, Yaśodharā by name, having a name well worthy of her, a very goddess of good fortune” (Bk.II/26). The prince married Yaśodharā and begat by her a beautiful son named Rahul. To safeguard the prince from any situation or sight that might distress him, King Suddhodana created, in the inner recesses of the palace, an abode for them where the prince would experience worldly bliss of all kinds.

Though king Suddhodana did his utmost to shield his son from any untoward experiences of life, the prince’s destiny intervened in unusual ways to draw him away from the golden cage of sensual and material pleasures towards his ordained path. Book III of Aśvaghoa’s Buddhacarita brings to light “the Prince’s Perturbation” in facing the inevitable. Having heard of beautiful groves and gardens in the kingdom, the prince shares with his father his desire to go there. The king gives his consent with much reluctance and instructs his officers to ensure that the pathways should be made clear of “all those who had mutilated limbs or maimed senses, the decrepit and the sick and all squalid beggars” (Bk.III/5) so that the prince would see nothing but joyous sights on his tour.

For a while, things seemed to go as the king had planned but then, writes Aśvaghoa, “the gods, dwelling in pure abodes, having beheld that city thus rejoicing like heaven itself, created an old man to walk along on purpose to stir the heart of the king’s son.” (Bk.III/26) Bewildered by the sight of the old man, the Prince turned to his charioteer and asked him, “Who is this man that has come here … with white hair and his hand resting on a staff, his eyes hidden beneath his brows, his limbs bent down and hanging loose, — is this a change produced in him or his natural state or an accident?” (Bk.III/28) Without mincing words, the charioteer made him aware that old age was an inevitable part of life that causes sorrow by destroying beauty, vigour, delight, memories, and comes as the enemy of the senses. He further told the Prince that old age would come “even to my long-lived lord” by the force of time and through passage of years. It was a fact known to all without exception. With his sight fixed on the predicament of the old man, the Prince uttered with a sigh: “Old age thus strikes down all alike, our memory, comeliness, and valour; and yet the world is not disturbed, even when it sees such a fate visibly impending.” (Bk.III/36) Consequently, the Prince instructed his charioteer to return home for he saw the futility of rejoicing in the pleasure-garden with the thoughts of old age overpowering him. (Bk.III/37)

As a sequel to the event of the Prince witnessing the ravages of old age, the same deities created two other situations where he came face to face first with another man with his body all afflicted by disease and then with the body of a dead man carried by others on the road. These three sights filled the heart and mind of the Prince with a foreboding dread of coming to terms with the inevitable and he bemoaned, “how can a rational being, who knows what destruction is, stay heedless here, in the hour of calamity?” (Bk.III/60)

Book IV – The Women Rejected – shows how the Prince, perturbed by the occurrence of old age, disease and death, withstands the snares of beautiful, sensuous and erotic women who are given the task by the wise son of the King’s family priest, Udāyin. However, despite all their efforts – shown through numerous ensnaring postures and amorous situations – the Prince remains unmoved and concludes: “I do not despise worldly objects, I know that all mankind are bound up therein; but remembering that the world is transitory, my mind cannot find pleasure in them” (Bk.IV/85) … “even though this beauty of women were to remain perpetual, still delight in the pleasures of desire would not be worthy of the wise man.” (Bk.IV/87)

Book V – Flight – provides a comprehensive account of the supreme rationality with which the Prince, undeterred by the objects of pleasure and transient delights, decides to undertake his journey with the firm resolve of seeking salvation from the sorrows of old age, sickness and death not for himself alone but for all mankind. Longing for eternal peace, he mounts his horse Kathaka and sets out, with his father’s permission, to the glades of the forest. He stopped by at a spot of land in the forest-outskirts where he saw men ploughing the land. He quickly observed how the movement of the plough had scattered and torn the grass on the ground that lay covered with “the eggs and young of little insects which were killed.” (Bk.V/5) The scene filled him with deep sorrow as he identified the slaughter of even the insects akin to that of his own kindred.

Thus “meditating on the origin and destruction of the world,” he laid “hold of the path that leads to firmness of mind” (Bk.V/9) and reflected with controlled calm at the irony of life: “it is a miserable thing that mankind, though themselves powerless and subject to sickness, old age, and death, yet, blinded by passion and ignorant, look with disgust on another who is afflicted by old age or diseased or dead.” (Bk.V/12)

While the Prince was engaged in such contemplation, there came upon the place an ascetic in a beggar’s dress. When the Prince asked him who he was, the man answered that he had become an ascetic to seek liberation from the pangs of birth and death. The “heavenly inhabitant,” who had come dressed as a beggar, then tells the Prince: “Dwelling anywhere, at the root of a tree, or in an uninhabited house, a mountain or a forest, — I wander without a family and without hope, a beggar ready for any fare, seeking only the highest good.” (Bk.V/19) Aśvaghoa describes how, inspired by the ideal of aspiring for the “highest good” by the heavenly visitation, the “foremost of men was rejoiced and astonished; and having comprehended the meaning of the term dharma, he set his mind on the manner of the accomplishment of deliverance.” (Bk.V/21) Resolved as to the course of his future path, the Prince returns home with “no feelings of longing” or desire and proceeds to meet King Suddhodana to apprise him of his intention. He tells the King with folded hands, “Grant me graciously thy permission, O lord of men, — I wish to become a wandering mendicant for the sake of liberation, since separation is appointed for me.” (Bk.V/28)

Shocked by his son’s entreaty, King Suddhodana uses all reasoning at his command to dissuade him from his decision. He reminds his son that the ways of penance and suffering related to a life of religion was not for the young in their prime of life but for the old who had fulfilled their obligation to their responsibilities as householders. He also points out that it would be most unbecoming and irreligious on his part to leave his own father and depart for the forest. Consequently, he tells his son to abandon his resolution and attend to his duties as a householder for “penance-forest” was suitable for those who had fully enjoyed the pleasures of their prime. Having heard the King’s arguments, the Prince answered with all softness at his command:

If thou wilt be my surety, O king, against four contingencies, I will not betake myself to the forest. … Let not my life be subject to death, and let not disease impair this health of mine; let not old age attack my youth, and let not misfortune destroy my weal. (Bk.V/34,35)

It is heroic indeed for one who is deeply troubled even by the killing of an insect to stand up against his own father not with any degree of arrogance of an aberrant son but with abundant humility of one who believes in the sanctity of his passionless commitment to find salvation for entire mankind. Yet, the king, seeing his son’s firm resolve, finally tells him, “Abandon this idea bent upon departure; extravagant desires are only ridiculous.” In turn, the Prince retorts: “If this is impossible, then this course of mine is not to be hindered; it is not right to lay hold of one who would escape from a house that is on fire.” (Bk.V/36,37)

Agitated by his son’s determination, the King exclaimed, “He shall not go!”  and set guards round him and the highest pleasures.” (Bk.V/39) The highest pleasures that were used to entice the Prince involved the women of the palace who did all they could to lure him with their charms. The Prince remained unmoved scorning at the folly of transient desires and remained fixed in his mind about seeking the “bliss of the highest end.” (Bk.V/46) He desired to escape from the worldly shackles of the palace in the night. The King’s orders to restrain him proved futile as, “the gods, knowing his purpose, caused the door of the palace to fly open.” (Bk.V/66)

He summoned his horse’s attendant, Chadaka, and asked him to quickly bring his horse, Kathaka, as he had decided to leave the palace immediately. He mounted his faithful steed and embarked on his journey to seek immortality for the good of the world. The heavy gates and bars “which could be with difficulty opened even by elephants, flew open of their own accord without noise, as the prince went through.” (Bk.V/82) Leaving without hesitation his dear father, his young son, and the people who adored him, he looked back at the city and vowed: “Till I have seen the further shore of birth and death I will never again enter the city called after Kapila.” (Bk.V/84)

Book VI – The Dismissal of Chadaka – narrates the poignant tale of the Prince bidding goodbye to Chadaka and the horse Kathaka once they reach the forest. Chadaka is full of grief to be parting from his lord for whom he has unqualified devotion and esteem. With calm of mind all passion spent the Prince attempts to make him understand that all human relationships are governed by selfish motives and that there is “no such a thing as unselfishness without a motive.” (Bk.VI/10) The Prince tries to console the grieving Chadaka by telling him that he has chosen the path of the ascetic with the purpose of finding a way “to destroy old age and death, — with no thirst for heaven, with no lack of love nor feeling of anger.” (Bk.VI/15) He says that he has fixed his mind on liberation from the repeated severance of relationships. It is evident that the Prince’s words are also meant to be shared with his father, King Suddhodana, who finds it difficult to reconcile himself with the reason that has taken his son away from him. The Prince says, “Even if I through affection were not to abandon my kindred in my desire for liberation, death would still make us helplessly abandon one another.” (Bk.VI/44) Before the final moment of parting, the Prince reiterates his steadfast resolve to be conveyed to the King: “Either he will quickly come back, having destroyed old age and death; or else he will himself perish, having failed in his purpose and lost hold of every support.” (Bk.VI/52)

Book VII – Entry into the Penance Grove – describes how, after parting with Chadaka and Kathaka, the Prince enters the Penance Grove in the hermitage where he sees different kinds of penance practised by various ascetics. He is informed by one of the ascetics that by enduring such penances they are said to attain heaven who practice extreme severity while the less severe try to find happiness in pain. The Prince, witnessing such exercises, found no lofty truth in the measures and uttered to himself: “The penance is full of pain and of many kinds, and the fruit of the penance is mainly heaven at its best, and all the worlds are subject to change; verily the labour of the hermitages is spent for but little gain.” (Bk.VII/20) In his rational view such superstitious assumptions of attaining heaven through mortification of flesh and suffering seem totally illusory as is evident from his thought: “Some undergo misery for the sake of this world, others meet toil for the sake of heaven; all living beings, wretched through hope and always missing their aim, fall certainly for the sake of happiness into misery.” (Bk.VII/24)

Rather than practice austerity and cause pain to the body, the Prince has come to understand that what alone is significant is to “control the thought” because “without the thought the body is like a log.” (Bk.VII/27) He finds it ridiculous when people sprinkle holy water on themselves at some so-called ‘sacred’ spot to purify their actions for, according to him, waters can not wash away sin.: “The water which has been touched by the virtuous, — that is the spot, if you wish for a sacred spot on the earth; therefore I count as a place of pilgrimage only the virtues of a virtuous man, — water without doubt is only water.” (Bk.VII/31)

Thus, comprehending the whole nature of penances after being in the grove for a few days, he decides to make his exit. He gently but firmly tells the ascetics the reason for his departure from their midst: “this devotion of yours is for the sake of heaven, — while my desire is that there may be no fresh birth; therefore I wish not to dwell in this wood; the nature of cessation is different from that of activity.”  (Bk.VII/4)

Meanwhile, an ascetic, who lay submerged in ashes clothed in bark turned to him with a lifted voice and praised him for being so concerned at such a young age about the evils of birth and the need for liberation: “By all those various sacrifices, penances and vows the slaves of passion desire to go to heaven; but the strong, having battled with passion as with an enemy, desire to obtain liberation.”  (Bk.VII/53) The ascetic then advises that the Prince should go to Vidhyakoṣṭha and meet the Muni Arāḍa who has an insight into absolute bliss. From the Muni the Prince could learn the path to truth and embrace it if he so desires. However, he foresees that the journey of the Prince would not end there for he would keep searching till he has drunk up “the entire ocean of what is to be known.” … “That unfathomed depth which characterises thee, that majesty and all those signs of thine, — they shall win a teacher’s chair in the earth which was never won by sages even in a former age.” (Bk.VII/56-57)

Book VIII – Lamentations in the Palace – offers a vivid description of the pall of gloom that surrounds the Kingdom of Kapilavastu after Chadaka with the horse Kathaka returns to narrate the tale of the Prince’s departure in quest of the ultimate truth. Crowds of people with tear-filled eyes bemoaned the absence of the Prince. No less sorrowful was the predicament of men and women in the palace. The principal Queen Gautami “like a fond cow that has lost her calf, fell bursting into tears on the ground with outstretched arms” (Bk.VIII/24); she was pained to imagine how the one who was accustomed to all comfort, luxury and care had chosen the extremely difficult path of austerity and sacrifice: “He who was proud of his family, goodness, strength, energy, sacred learning, beauty, and youth, – who was ever ready to give, not to ask, – how will he go about begging alms from others?” (Bk.VIII/57)

The Prince’s wife Yaśodharā who seemed inconsolable gave vent to her anger by asking Chadaka how could the Prince justify choosing the religious path by abandoning his own lawful wife? She wonders whether he has deserted her in the “hope to obtain heavenly nymphs in lndra’s world!” (Bk.VIII/64) Reminded of her little son Rāhula’s fate, she reacts in pain: “is this poor Rāhula never to roll about in his fathers lap?”    “Alas! the mind of that wise hero is terribly stern, — gentle as his beauty seems, it is pitilessly cruel, — who can desert of his own accord such an infant son with his inarticulate talk, one who would charm even an enemy.” (Bk.VIII/67,68)

Aśvaghoa compares King Suddhodana’s grief, occasioned by separation from his son, with that of “Daśaratha, a prey to his sorrow for Rāma.” (Bk.VIII/81) The King’s wise counsellor and the old family priest tried to console the King by reminding him of sage Asita’s prophecy at the birth of his son and reassured the King that they would make all efforts to persuade the Prince to return. With the King’s consent the two leave for the forest to meet and talk to the Prince.

Book IX – The Deputation to the Prince –  describes the meeting of the counsellor and the family priest to the abode of the sage Bhārgava to meet the Prince. There they are told that the Prince had come there but recognising that "this dharma only brings us back again," (Bk.IX/6) he had proceeded to Arāḍa for seeking liberation. As they moved forward they saw the Prince, bereft of all ornaments yet shining in his majestic glory, “sitting like a king in the road at the foot of a tree, like the sun under the canopy of a cloud.”  (Bk.IX/8) After the two paid him due honour and sat down near him, the family priest apprised him of the King’s unmitigated sorrow and shared what he had asked them to convey: that he should abandon this purpose for the sake of duty… and return to enjoy for a while “the sovereignty of the earth” and that he may “go to the forest at the time provided by the śāstras.” (Bk.IX/15,17,18)

After conveying the King’s utterances touching on the calls of duty, compassion, and religious obligation, they asked him to reconsider his resolve in the manner of the epic heroes of the past like Bhīṣma and Rāma, who were universally known to have pleased their fathers at the cost of their personal preferences. In addition to telling him of the King’s desire, they also remind him of his duty and responsibility to the queen, his wife Yaśodharā and his son Rahul. Listening to the words of the family priest, the Prince gently brings to their attention all the counter-arguments he is truly convinced of. He made them aware that though he had every respect for the paternal tenderness, he was inevitably forced to forsake his kindred to find a solution to the alarms of “sickness, old age, and death” (Bk.IX/31) and that he cannot be held responsible for causing the King so much sadness through their separation since “neither a son nor kindred is the cause of sorrow, – this sorrow is only caused by ignorance.” (Bk.IX/34)

In his view, he points out, since parting is inevitable for humankind, separation for the sake of dharma and the good of all must be embraced. It may be befitting for kings to leave their kingdoms and enter the forest in the desire for dharma, but it is not fitting to break one’s vow and forsaking the forest to go to one’s home,” (Bk.IX/44) emphasizes the Prince. He reiterates that he has not gone to the forest with “an undecided mind,” but once he has cut through “the net known as home and kindred I am freed and have no intention of re-entering the net." (Bk.IX/51)

Despite the profound logic of the Prince’s utterances, the King’s emissaries continue to convince him that “it is no sin to return from a hermitage to one’s home, if it be only for the sake of duty.” (Bk.IX/61) Unmoved in his resolve about the path he has chosen, the Prince declares with perfect calm and equanimity that he would never return home as “a man of the world, with no knowledge of the truth.” (Bk.IX/68) Thus, disappointed in the failure of their mission to change the steadfast resolution of the Prince, the two emissaries return to Kapilavastu wondering how they would face the King.

Book X – Śreya’s Visit – begins by describing that the Prince crossed the Ganges and went to Rajgrha, the city full of palaces and auspicious sacred places. There he was greeted by one and all who saw him with deep reverence on account of his majestic graceful appearance “so worthy of ruling the earth and yet wearing a mendicant’s dress.” (Bk.X/9) Seeing from his palace the assembly of people attracted to him, Śreya (Sanskrit name for Bimbisāra), the King of Magadhas, desires to meet him. Once face-to-face with the Bodhisattva, Śreya offers his greetings and salutations and asks him about the reason for his choice of a “mendicant’s life” over the rule of a “kingdom.” Like others who had approached the Prince before with similar arguments, Śreya tells him that his hands that are “fit to protect subjects,” “deserve not to hold food given by another.” (Bk.X/24) He goes further to say that if the Prince has, in his generosity, no desire for his father’s kingdom, he was free to accept half of Śreya’s kingdom. He emphasizes that youth is meant for pleasure and old age for the practice of religion. And if at all religion is his sole aim then he could emulate the family’s custom of attaining the highest heaven through “sacrifices” as even God Indra had done: “royal sages have reached the same goal by sacrifices which great sages reached by self-mortification.” (Bk.X/40) The book ends with the author’s statement: “the prince did not falter, (firm) like the mountain Kailāsa.” (Bk.X/41)

Book XI – The Passions Spurned – brings into bold relief the counter-arguments offered by the Prince in response to King Śreya’s viewpoints. He reaffirms that his journey on the path for liberation, occasioned by the dread of old age and death, has enabled him to leave behind his kindred after much deliberation. To him what others call worldly pleasures are the root cause of evil: “There is no calamity in the world like pleasures, — people are devoted to them through delusion; when he once knows the truth and so fears evil, what wise man would of his own choice desire evil?” (Bk.X1/11)  According to him, “the nature of pleasure and pain are mixed,” be it due to royalty or slavery for “a king does not always smile, nor is a slave always in pain.” (Bk.XI/44) The ambitious rulers who are out to conquer the whole earth ought to understand that “one city only can serve as a dwelling-place, and even there only one house can be inhabited.” (Bk.XI/47) As for the desire for countless robes of clothes, all one needs is “one pair of garments … and just enough food to keep off hunger; so only one bed, and only one seat; all a king’s other distinctions are only for pride.” (Bk.XI/47,48) The Prince continues and says, “if all these fruits are desired for the sake of satisfaction, I can be satisfied without a kingdom; and if a man is once satisfied in this world, are not all distinctions indistinguishable?” (Bk.XI/49)

Referring to King Śreya’s view that the Prince’s hands were not meant for begging alms, he gently asserts: “He who lives on alms, my good friend, is not to be pitied, having gained his end and being set on escaping the fear of old age and death; he has here the best happiness, perfect calm, and hereafter all pains are for him abolished.” (Bk.XI/54) He tells King Śreya that his ultimate goal is to discover a path wherein “there is no old age nor fear, no birth, nor death, nor anxieties, that alone I consider the highest end of man, where there is no ever-renewed action.” (Bk.XI/59)

Finally, the Prince addresses the option of serving religion and gaining the highest heaven through the ritual of sacrifices that King Śreya had mentioned. He boldly proclaims that he desires “not that fruit which is sought by causing pain to others!” He shows his abhorrence for even the highest reward that is attained “only by slaughter” because, in his opinion, “To kill a helpless victim through a wish for future reward, — it would be an unseemly action for a merciful-hearted good man, even if the reward of the sacrifice were eternal; but what if, after all, it is subject to decay?” (Bk.XI/65) No happiness, he avers, that comes through “the injury of another” can be of any worth to “the wise compassionate heart.” (Bk.XI/67) The Prince then informs King Śreya of his intention to meet the seer Arāḍa who proclaims liberation. Forthwith, he takes leave of King Śreya asking to be forgiven for his utterances which may have seemed “harsh” due to “their absolute freedom from passion.” (Bk.XI/69)

Book XII – Visit to Arāḍa – On his arrival at the hermitage of sage Arāḍa, the Prince is given a warm welcome. It gladdens the Prince to hear sage Arāḍa say, “thou art a worthy vessel to receive this highest religion; having mastered it with full knowledge, cross at once over the sea of misery.” (Bk.XII/9) Thanking sage Arāḍa for his generous words, the Prince conveys that the gesture of kindness made him feel, despite his imperfections, “seem even already to have attained perfection.” …  “I feel at the sight of thee like one longing to see who finds a light, — like one wishing to journey, a guide, — or like one wishing to cross, a boat.” (Bk.XII/12,13) With courtesy and deference, the Prince asks him, “Wilt thou therefore deign to tell me that secret, if thou thinkest it should be told, whereby thy servant may be delivered from old age, death, and disease.” (Bk.XII/14)

Impressed by the noble demeanour of the Prince, sage Arāḍa instantly agrees to impart the main tenets of his doctrine. According to his doctrine the cause of “mundane existence” lies in “Ignorance, the merit or demerit of former actions, and desire” (Bk.XII/23) while “egoism” lies in attitudes that harp on “I say," "I know," "I go," "I am firmly fixed." (Bk.XII/26) He appreciates that the Prince’s wisdom and his ability to discriminate allows him to be free from both ignorance and egoism. He strikes a resonant chord in the Prince when he says, “‘Uttering ‘namas’ and ‘vaa,’ sprinkling water upon sacrifices, with or without the recital of Vedic hymns, and such like rites, — these are declared by the wise to be ‘false means,’ O thou who art well skilled in true means.” (Bk.XII/30) It is only he who remains unentangled “in external objects through his mind, speech, actions, and thoughts,” can aspire to ascend to the path of liberation. (Bk.XII/31) Man is borne downwards into new births and misery when he lives in false assumptions like "This is mine," "I am connected with this" etc. or … “I am the seer, and the hearer, and the thinker, — the effect and the cause.” (Bk.XII/32,38)

After hearing this discourse the Prince requests the seer for his guidance about the goal and limitations of the “sacred study.” The seer explains “how fear arises from passion and the highest happiness from the absence of passion” and one must learn to restrain all the senses for attaining tranquillity of mind.” (Bk.XII/46-48) This is the first stage of contemplation that takes the devotee to “the world of Brahman, deceived by the delight.” (Bk.XII/51) For a wise man who is not satisfied by this stage of contemplation that may still “bewilder the mind” (Bk.XII/52), the seer suggests the second stage of contemplation where the devotee notices “no further distinction” and “obtains a dwelling full of light” among the “Ābhāsura deities. (Bk.XII/53) In the seer’s view, if one still “separates his mind from this pleasure and ecstasy” has to go for the third stage of contemplation that is “ecstatic but without pleasure.” (Bk.XII/53) However, a man aspiring for still higher wisdom that is distinct from all pleasure or pain has to seek the fourth stage of contemplation that leads to the state of the “supreme Brahman, constant, eternal, and without distinctive signs; which the wise who know reality declare to be liberation.” (Bk.XII/65) Pondering on the discourse of sage Arāḍa, the Prince examined the contents in the light of his desire for deliverance and concluded: “Even though the pure soul is declared to be ‘liberated,’ yet as long as the soul remains there can be no absolute abandonment of it.” (Bk.XII/71)

Not content with the doctrine of sage Arāḍa, the Prince proceeded to the hermitage of sage Udraka. However, Udraka, who did not offer any clear understanding about the treatment of the soul and the way to its complete abandonment, the Prince “fully resolved in his purpose, and seeking final bliss,” moved to the hermitage of the royal sage Gaya.” (Bk.XII/87) There on the bank of the river Nairañjanā, the Prince sought a lonely habitation to seek what the two teachers, Arāḍa and Udraka, could not provide him. Then he saw five mendicants, who had preceded him, engage themselves in practicing austerities by controlling their five senses. These five mendicants then approached him with great esteem and humility. Thinking “this may be the means of abolishing birth and death,” he at once began “a series of difficult austerities by fasting.” (Bk.XII/91) Engaged totally in “self-mortification,” he performed many rules of abstinence” for six years with no food except a single jujube fruit, sesame seeds, and a grain of rice.

Thus emaciated and famished, his body was reduced to skin and bone although “he still shone with undiminished grandeur like the ocean.” (Bk.XII/96) Drained of physical strength by his austerities and dreading continued existence in that state, the realization dawned on him that “This is not the way to passionlessness, nor to perfect knowledge, nor to liberation.” (Bk.XII/98) “Wearied with hunger, thirst, and fatigue, with his mind no longer self-possessed through fatigue,” he understood that without bodily vigour it was not possible for the mind to achieve “absolutely calm.” He observed: “True calm is properly obtained by the constant satisfaction of the senses; the mind’s self-possession is only obtained by the senses being perfectly satisfied.” (Bk.XII/100-101) With such self-knowledge, he decided that eating food was necessary to ensure “supreme calm, undecaying, immortal state” and that “True meditation is produced in him whose mind is self-possessed and at rest, — to him whose thoughts are engaged in meditation the exercise of perfect contemplation begins at once.” (Bk.XII/103,102)

He bathed in the Nairañjanā and came to the bank of the river where divine intervention made a tree lower its branches to provide him support to stand on his feet as he was too weak to do so on his own. Coincidentally, at that moment, “Nandabalā, the daughter of the leader of the herdsmen, impelled by the gods, with a sudden joy risen in her heart,” came near him, bowed down with full reverence and offered him milk to drink. (Bk.XII/106) After recovering physical strength, the Prince found himself “capable of gaining the highest knowledge, all his six senses being now satisfied.” (Bk.XII/109)

Seeing the Prince partaking food offered to him and presuming he had returned to his worldly ways, the five mendicants left him as “the five elements leave the wise soul when it is liberated.” (Bk.XII/111) Forthwith, strengthened by “his own resolve, having fixed his mind on the attainment of perfect knowledge, he went to the root of an Aśvattha tree” … and sat down to “obtain perfect knowledge at the foot of the great holy tree.” Declaring with a firm resolve, “I will not rise from this position on the earth until1 I have obtained my utmost aim.” (Bk.XII/112,116,117), he remained engrossed in realizing the truth of Nirvana.

In Book XIII – Defeat of Māra – Aśvaghoa begins by stating that while the whole world rejoiced to witness the “great sage” “with his soul fully resolved to obtain the highest knowledge, … Māra, the enemy of the good law, … Māra the enemy of liberation” was terrified. (Bk.XIII/1,2) Threatened by the “sage, wearing the armour of resolution, and having drawn the arrow of wisdom with the barb of truth, sits yonder intending to conquer my realms,” Māra uses all resources and power of evil at his command to disengage the Prince from his path.

While Māra and his violent army were engaged in their nefarious tasks, “some being of invisible shape, but of pre-eminent glory, standing in the heavens,” appealed to Māra to give up his “malevolence and retire to peace” and made him aware of the power of the Prince in meditation: “Such is that purpose of his, that heroic effort, that glorious strength, that compassion for all beings, — until he attains the highest wisdom, he will never rise from his seat, just as the sun does not rise, without dispelling the darkness.” (Bk.XIII/59) Having listened to the words of the divine being, and having “seen the unshaken firmness of the great saint, Māra departed dispirited and broken in purpose.” (Bk.XIII/70) The outcome was greeted by “showers of flowers” from the sky upon the earth.

Book XIV (Untitled) graphically describes how, after conquering Māra with his “firmness and calmness,” the Prince, “the great master of meditation,” set himself to meditate, longing to know the supreme end.” (Bk.XIV/1) With the aid of all kinds of meditation that he had mastered, he could visualise, in the first phase, “the continuous series of all his former births” (Bk.XIV/2) and arrived at the inference of the unsubstantiality of all existence. Watching the transmigrations and rebirths of various beings endowed with misery, pain and suffering on account of both good and evil deeds, he was filled with compassion. He surmised how mankind lived in delusion brought about by desire and temptation unmindful of the consequences of selfishness. Even “Paradise, obtained by many labours, is uncertain and transitory,” as suffering is bound to come “by separation from it.” (Bk.XIV/42)

Understanding dawns on him that this stream of the cycle of existence guided by the law of Karma “has no support and is ever subject to death. Creatures, thus beset of all sides, find no resting place.” (Bk.XIV/47) The Bodhisattva saw with his “divine eyesight (divyacakus)” and examined the five spheres of life and found “nothing substantial in existence.” (Bk.XIV/48) He then meditated on the real nature of the world and inferred that existence was a meaningless toil resulting out of an endless series of birth, old age, death and rebirth. Urged on by passion (rāga) and blinded by delusion (moha), man does not know “the way out of this great suffering.” (Bk.XIV/51)

In his deep meditative state the Bodhisattva comprehended that it is only through “the annihilation of birth” that one can find liberation from old age and death. In the words of Aśvaghoa: “the great seer understood that the factors are suppressed by the complete absence of ignorance (avidyā) Knowing in depth what was to be known, he stood out before the world as the Buddha (Bk.XIV/83) and by the eightfold path of supreme insight the awakened One “reached the stage which knows no alteration, the sovereign leader the state of omniscience.” (Bk.XIV/86)

The Buddha’s awakening was marked by rejoicings all around. Deities, Siddhas, people on earth, Nature itself, greeted the moment with joy and “the world became tranquil, as though it had reached perfection.” (Bk.XIV/90) As a fitting finale to his grand epic, Aśvaghoa describes how the awakened and enlightened Prince saw with his “Buddha-eye” the responsibility he needed to shoulder to bring peace and tranquility in the world full of misery, vain efforts, false views and gross passion. Greatly impressed by Buddha’s urge to go beyond his own individual mission of attaining liberation and preach tranquility to the world at large, Brahma and Indra, “the two chiefs of the heavenly dwellings,” approached him and lauded his aim of sharing his compassion for the benefit of all in glowing words: “O sage, having yourself crossed beyond the ocean of existence, rescue the world which is drowning in suffering.” (Bk.XIV/100)

The endorsement by the two gods further strengthened the Buddha’s resolve to devote his life for the “liberation of the world.” (Bk.XIV/103) The gods of the “four quarters” offered the seer four “begging-bowls” which he gratefully accepted and turned them into one “for the sake of the dharma.” Consequently, writes Aśvaghoa at the end of Book XIV, Gautama proceeded to “the land of Kāśi, in order to convert the world, and turning his entire body like an elephant, he fixed his unwinking eyes on the bodhi tree. (Bk.XIV/108)

In drawing the word portrait of the Buddha, Aśvaghoa vests his hero with several exemplary virtues most prominent among which is his innate capacity to justify through supreme rationality the ultimate purpose of his quest. His mindful engagements in conversation with King Suddhodana, the family priest, the king’s counsellors, the charioteer Chandaka, the ascetics in the grove, Magadh King Śreya, sages Arāḍa and Udraka, Aśvaghoa succeeds in unravelling the substantiality of the Buddha’s contemplative reasoning in countering the arguments of those who attempt to dissuade him from his avowed aim of ridding the world of suffering connected to old age, sickness and death. Starting with questioning the validity of rituals, penances, sacrifices, age-old traditions, he puts himself to the litmus test of fasting and self-mortification for six years. Yet, at the end of it all, he understands that he has not found what he had so earnestly sought. Ultimately, after partaking of the food offered to him by Nandabalā, he regains his physical strength and sits down to obtain perfect knowledge at the foot of the great holy tree. It is significant that he desires nothing for himself, be it material reward or spiritual glory. It is of immense relevance that while leaving the world for his eternal abode, the Buddha had instructed his disciples not to “honour his remains” but to “strive for the highest good.” (Akira 38) Speaking on Gautam Buddha before the British Academy on 28th June 1938, Dr. Sarvepalli Radhakrishnan had stated with all reverence: “He belongs to the history of the world’s thought, to the general inheritance of all cultivated men; for, judged by intellectual integrity, moral earnestness and spiritual insight, he is undoubtedly one of the greatest figures in history.” (Radhakrishnan v)

Though it cannot be denied that Edwin Arnold’s Light of Asia went a long way to introduce the tale of Buddha and his message to the Western world, it needs to be mentioned here what the celebrated Indologist Charles Johnston observed when he compared Buddhacarita with that of Arnold: “The life of Buddha … offers numberless most interesting points of comparison with The Light of Asia, and it is no disparagement of the modern poet, if we award the palm to the more ancient, as having a deeper grasp of the great Teacher's thought, a more philosophic insight, and, withal, a richer and more abundant wealth of poetry, finer beauty of imagery, and a purer and robuster style.” (Johnston 6-7)

Among the dominant traits of the Buddha’s personality as unravelled by Aśvaghoa’s classic, what stands out prominently are his ability to question anything that was not supported by intense logic and experience besides his missionary zeal to seek nothing for himself, not even heavenly glory. It is remarkable indeed that two millennia ago Aśvaghoa had hailed his epic hero as “the noblest of mendicants,” “the sun of mankind,” “the Bodhisattva … with subdued senses,” and “the very creation of Religion herself.” (Bk.X/13,15,18,19) With his artistic genius Aśvaghoa thus succeeded in creating in his immortal epic the grand narrative of one of the rarest of mortals whose enduring presence continues to inspire one and all across boundaries of nations, culture, caste, race, class, colour and gender to seek the “highest good” through self-awakening.

WORKS CITED

Akira, Hirakawa. A History of Indian Buddhism From Sakyamuni to Early Mahayana. Translated and edited by Paul Grone. University of Hawaii University of Hawaii Press, 1990.

Aśvaghoa. The Buddhacarita, or The Life of Buddha. Edited and translated by Edward B. Cowell. (first published in 1894 [text] & 1895 [translation], reprinted together New Delhi, 1977). https://ancient-buddhist-texts.net/Texts-and-Translations/Buddhacarita/Buddhacarita. pdf. Accessed 2 June 2025. All references to the text are from this edition and have been cited with Book no. followed by verse number in parenthesis.

Chaudhuri, Roma. Aśvaghoa. Sahitya Akademi, 2017.

Johnston, Charles. Translated (from Sanskrit to English)) and Edited. Buddhacarita: Buddha’s Renunciation by Aśvaghoa (1897). Theosophical Classics, Lamp of Trismegistus, 2015. Kindle Edition.

Milton, John. Paradise Regained. Aegypan, 2007. Book IV. Lines 176-177.

Muller, Max. Wisdom of the Buddha: The Dhammapada. The Complete & Authoritative Edition Translated from Pali by F. Max Muller. From The Sacred Book of the East Translated by Various Oriental Scholars. Edited by Max Muller, Volume X Part I. Wisehouse Classics (Sweden) 2016.

Radhakrishnan, S. Gautama The Buddha. The Proceedings of the British Academy, Volume XXIV, being the Annual Lecture on a Master Mind, delivered before the British Academy under the Henriette I Hertz Trust, on 28th June 1938. Reprinted by Hind Kitabs, 1946.

Vivekananda, Swami. “Buddha’s Message to the World.” The Complete Works of Swami Vivekananda. Vol. VIII. Advaita Ashram (150th Birth Anniversary edition), 2021 (4th reprint). pp. 87-100.

·    Dr. Nibir K. Ghosh, UGC Emeritus Professor & former Head, Department of English Studies & Research, Agra College, Agra, has been a Senior Fulbright Fellow at the University of Washinton, Seattle, USA during 2003-04.

·     Dr. Sunita Rani Ghosh is Professor & Head, Department of Hindi, Agra College, Agra.


Published in Re-Markings Vol. 25 No.1 March 2026, pp.125-140.

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 Copyright March 2026 Nibir K. Ghosh & Sunita Rani Ghosh.


Comments


Dear Nibir,

Thanks for sharing your essay with me. It was a reminder that the Buddha's biography
can be instructional at this point in my life. The last few years I've lost a number of friends.
Many are dealing with illness; a couple are in hospices. Reading about Buddhacartia was
an opportunity once again to understand aging, sickness and death.  I especially liked
the statement in Book X - Youth is meant for pleasure and old age for the practice
of religion.

It would be wonderful if some of our political leaders could seek or find wisdom at the foot

of the tree where the Buddha once sat. Thanks for presenting the Buddha as hero and letting me know about Asvaghosa's epic poem.
 
It inspired me to consider writing a poem about Kamthaka.  How did this horse
feel after being separated from the Buddha? Blessings from my heart to yours. E. Ethelbert Miller

KANTHAKA


My Prince has decided to continue on foot.

I watch him walking alongside the river until 

sunset becomes his guide.

I am saddened by his departure and now

my own suffering.

My Prince was my rider and my friend.

I will not forget the path we rode together.

Somewhere his eyes are opening 

and I long to hear the voice of the Buddha 

whispering in my ears.   -E. Ethelbert Miller

 

Dear Prof Nibirda...it took a little time to respond, since I have been reading the article no.of times...An excellent Article, which can be penned by none other than Nibirda and Sunita jointly...we both also enjoyed it together, interacted, respected the wisdom of Paromita...and thanked you for sharing such a wonderful researched writing...Conquering ourselves although remained a question mark, but you have incited practicing it ... for the benefit of mankind...Thank you once again dada...With warm regards...Debasish and Paromita Chakraborty