Monday 14 August 2023

Re-Markings Vol. 22 No. 2 September 2023 Announcements: Call for Papers & Invitation to Share

 


Re-Markings Vol. 22 No. 2 September 2023  

Editorial

On 25 August 1944, while the Allied forces were entering the French territory to liberate France from German occupation during World War II, Adolf Hitler ordered his generals occupying the French capital to reduce the city of Paris to a pile of ruins before they departed. He asked in authoritative desperation "Brennt Paris?" ("Is Paris Burning?"). The words in Hitler’s anxiety-ridden question provided the title to the 1965 best seller Is Paris Burning written by acclaimed journalists and writers, Larry Collins and Dominique Lapierre. A year later in 1966 came the film by the same name directed by René Clément.

With all the satanic powers that Hitler had at his command – a well-knit, hard-working population of 70,000,000 who stood ideologically inspired, physically trained, and materially equipped for the supreme business of making war and causing the genocide of millions of Jews – he could not have the privilege of seeing the spectacle of Paris burning.

Ironically, what the tyrannous German dictator could not attain in the August of 1944 became a gruesome reality on 27 June 2023 when a French policeman shot and killed Nahel Merzouk, a 17-year-old boy at a traffic checkpoint in Nantarre, a suburb of Paris. Nahel, of Moroccan and Algerian descent and the only child of his mother, was a "kid who used rugby to get by"…and who “was someone who had the will to fit in socially and professionally, not some kid who dealt in drugs or got fun out of juvenile crime" according to Jeff Puech, president of the Ovale Citoyen group in France. He was remembered as a kind, helpful child who had never raised a hand to anyone and was never violent. According to the testimony of his beloved mother, the police officer who shot him "saw an Arab face, a little kid, and wanted to take his life." The killing of Nahel for not stopping at the checkpoint while driving his Mercedes provoked unprecedented violence resulting in vandalization, torching of government property and vehicles, rioting and destruction. Paris indeed was burning and so were many other towns caught in the flare of outrage that spilled onto the streets of France against organized officialdom.

For those who have known France as the land that venerates in its constitution and practice the avowed ideals of “liberty, equality, fraternity,” the Nahel incident brings to the fore once again the ambivalence of power equations in dem-ocracies by reminding us of a similar event in Minneapolis, Minnesota where George Floyd, a Black man, was murdered by Derek Chauvin, a 44-year-old white police officer, on 25 May 2020. Besides the scenes of rioting, loot and arson, witnessed in many cities of the U.S., Floyd’s death led to widespread international protests in various countries including France.

In what is believed to be the world’s most powerful democracy, the Statue of Liberty stands majestically welcoming immigrants from all parts of the globe to try their fortune in the United States of America. However, when we see Frederick Douglas in his 1852 speech asking, “What to the slave is the Fourth of July” and Ralph Ellison describing in his 1951 novel, Invisible Man, the Statue of Liberty “lost in the fog,” we can visualize how democratic principles and democratic practices are constantly at variance.

Likewise, we are reminded of the death of Mahsa Amini, a 22-year-old Iranian girl of Kurdish origin, in police custody on 16 September 2022. The self-proclaimed guardians of morality found her guilty of violating the sacred rules requiring women to cover their hair when in public. The death of Mahsa led to massive protests and rioting that saw Iran burning for months.

Events related to Nahel M., Floyd George, and Mahisa Amini have one thing in common: they were all victims of systemic police brutality. It is quite likely that the practitioners of power in unform perceived a threat to their existence when they came across an Arab face, or a man with black skin, or the hair of a young girl uncovered with a scarf. Even in professed democracies it is not unusual to see law-enforcing agencies or institutions place a curb on civil liberties for the suppression of dissent in any form. In this context, I find it pertinent to mention a remark made by Aung San Suu Kyi, human rights activist and Nobel Peace Prize winner, in her essay entitled “Freedom from Fear” (1990): “It is not power that corrupts but fear. Fear of losing power corrupts those who wield it and fear of the scourge of power corrupts those who are subject to it.”

Against the backdrop of incidents and situations that reveal the state of endangered freedom and civil liberties, it is appropriate to place in perspective the current edition of Re-Markings that showcases issues and concerns bordering on oppression, discrimination and exploitation on grounds of nation, class, race, caste, gender, colour, creed, religion, language etc. The global outreach of the scholarly contributions in the volume brings together the efforts of historians, writers, academics and scholars to question and challenge the status quo created by centres of power to keep those on the margins in their ‘place’. While burning cities have become emblematic of the collective rage of suppressed dissent against authoritarian approaches to the basic needs of common people, be it in France, U.S., Iran or Manipur, we cannot insensitively turn our heads away and remain unconcerned.

When we get passionately involved in what and how we write, we are automatically transformed from mere spectators to participants in better causes. George Orwell had pointed out: “If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them.” It is, therefore, incumbent upon each one of us to think for ourselves rather than allow others to do our part of the thinking.

Nibir K. Ghosh

Chief Editor


CONTENTS

 

Viewpoints from California - Jonah Raskin     - Walt Whitman & T. S. Eliot: A Personal Engagement / 7 The U.S. Supreme Court: A Primer / 10

Reconstructing and Demythologizing America’s Story: An Interview with Professor Kermit Roosevelt III on The Nation That Never Was - Robin Lindley / 13

Not Writing in the Mother Tongue - Miho Kinnas / 25

Krishna Baldev Vaid’s Hindi Ibārat and My Malayalam Pāṭhaṁ - K. Narayana Chandran / 31

 South Asia as a Literary Category - Anisur Rahman / 42

Blended Learning in Educational TechnologyChallenges and Opportunities – India’s Perspective - Shanker Ashish Dutt / 47

Melody of the Blues and the American Racial Dilemma:  August Wilson’s Ma Rainey's Black Bottom

Nibir K. Ghosh / 54

 The Cracked Mirror: An Examination of  A Streetcar Named Desire by Tennessee Williams - Shernavaz Buhariwala / 67

Re-telling (her) Stories: Sorties, Texts and - Contexts from Northeast India  Sukalpa Bhattacharjee / 75

R. K. Narayan’s The Dark RoomA Story of Lost Opportunities -Yashu Rai / 89

Ecology, Spirituality and Sankaradeva - Nityananda Pattanayak / 96

 Decolonising the Novel: A Study of Wilson Harris’ The Palace of the Peacock - Melissa Helen / 103

 Arundhati Roy’s Azadi and My India - Pallavi Sharma Goyal / 110

 Dalit Feminism and Meena Kandasamy’s Writings - Ruchi Singh / 117

 Debt, an Eternal Curse in Kota Neelima’s Shoes of the Dead - Vikram Singh & Reshma Devi / 125

Single Indian Women as the Other in Eunice de Souza’s Novels: Dangerlok and Dev & Simran - Barsha Sahoo / 129  

The Ontological Perspective of “Self” in Rushdie’s The Enchantress of Florence - Rajeev Kumar & Sovan Chakraborty / 136

Women and War: Redefining Historical Discourse in Svetlana Alexievich’s The Unwomaly Face of War - Amandeep Kaur / 143

Modes of Representation in Salman Rushdie’s The Moor’s Last Sigh - Paramba Dadhich / 151

The Final Confession (Short Story) - Sin Keong Tong / 157

Announcements / 160


Announcements

Call for Papers

Scholarly contributions are invited from members of Re-Markings for a proposed Special Number/Section on the theme “Transforming Lives in an Age of Artificial Intelligence: Orientations and Challenges.” Papers may address any of the following areas:

1.     Literature-Technology Interface.

2.     The Digital Divide.

3.     ChatGPT and Human Communication.

4.     Where do we go from here?

5.     Impact of artificial intelligence on upward mobility.

6.     Is Orwellian ‘Big Brother’ watching us?

7.     Emerging Utopian and Dystopian views of change.

8.     Social Media: Boon or Bane?

9.     Short films and OTT platforms.


10.  Any other aspect related to the basic theme.

Interested contributors should submit an abstract of 150 words along with contact details and professional affiliation to remarkings@hotmail.com by 20 September, 2023. Authors of selected entries will be notified by 10 October, 2023. Thereafter, the complete paper (2000-2500 words in MS Word format, MLA Style 9th edition) will be required by 15 November, 2023.

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Invitation to share

Re-Markings’ readers and contributors are welcome to share their unique academic/professional achievements on the Panorama section of the journal website www.re-markings.com by sending details of the same with pictures/images to the Chief Editor at ghoshnk@hotmail.com

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